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I sadly missed the chance to watch Swallow on the theatre when it hit a film festival in İstanbul while I was there, but I've been keeping an eye on this movie since it wrapped and I talked non-stop about how much I wanted to be able to see it. Now that I finally saw it on VOD, I heard there is a possibility for it to re-run in cinemas in Turkey soon and I will certainly go see it again. This film made me sick, I hated every scene while it rolled but at the same time I fell in love with it. So well acted, extremely pretty to look at. Carlo Mirabella-Davis is surely a director to watch out for. I will follow his future work now that I'm certain they will be magnificent if they can live up to Swallow. Some scenes I wanted to look away from, and there wasn't any gore in this - no such thing as too horror genre of it but you can feel the anxiety eating you from the inside during all of the film. And dare I say I never felt so hypnotized by an end credits roll? It was saddening, it was beautiful. I love this film. It might not be for everyone, but it sure was for me.
I had no idea a swallowing fetish was a thing ("verophelia" per Google). If you can stomach watching an entire movie on the subject (no pun intended), Swallow is for you.
Based on the 1963 novel by Sylvia Plath, a young woman's summer in New York sees her working for a Mademoiselle-like magazine, return home to New England, and subsequent breakdown all amidst the horrors of the fifties, from news of the Rosenbergs' execution to sleazy disc jockeys and predatory college boys.
Psychiatrist Sam Foster has a new patient, Henry Letham, who claims to be suicidal. In trying to diagnose him, Sam visits Henry's prior therapist and also finds Henry's mother - even though Henry has said that he murdered both of his parents. As reality starts to contradict fact, Sam spirals into an unstable mental state. Then he finds a clue as to how and when Henry may try to kill himself, and races to try to stop him.
As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.
Alice Tate, mother of two, with a marriage of 16 years, finds herself falling for a handsome sax player, Joe. Stricken with a backache, she consults herbalist Dr. Yang, who realizes that her problems are not related to her back, but in her mind and heart. Dr. Yang's magical herbs give Alice wondrous powers, taking her out of her well-established rut.
A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.
In 1910, a young laundress leaves her rural home, fleeing from her father's violence. With her, her two sisters and their baby brother. Along the way they try to break free from the past and rediscover a future.
After the death of her father, Little Voice or LV becomes a virtual recluse, never going out and hardly ever saying a word. She just sits in her bedroom listening to her father's collection of old records of Shirley Bassey, Marilyn Monroe and various other famous female singers. But at night time, LV sings, imitating these great singers with surprising accuracy. One night she is overheard by one of her mother's boyfriends, who happens to be a talent agent. He manages to convince her that her talent is special and arranges for her to perform at the local night club, but several problems arise.
Trapped in a London subway station, a woman who's being pursued by a potential attacker heads into the unknown labyrinth of tunnels beneath the city's streets
When a deadly airborne virus threatens to wipe out the northeastern United States, teacher Elliot Moore and his wife Alma flee from contaminated cities into the countryside in a fight to discover the truth. Is it terrorism, the accidental release of some toxic military bio weapon - or something even more sinister?
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
Chuck Nolan, a top international manager for FedEx, and Kelly, a Ph.D. student, are in love and heading towards marriage. Then Chuck's plane to Malaysia crashes at sea during a terrible storm. He's the only survivor, and finds himself marooned on a desolate island. With no way to escape, Chuck must find ways to survive in his new home.