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Acclaimed psychologist "Kelvin" (Donates Banionis) is despatched to a space station to investigate the mysterious death of one of the three remaining scientists who are working on the surface of a remote moon. Upon arrival he discovers that there are now just the two of the original eighty-plus crew left aboard the rather ramshackle facility. "Snaut" (Jüri Järvet) and "Sartorius" (Anatoliy Solonitsyn). Their welcome is, to put it mildly, bizarre and before long he starts to dream. His apparitions become more vivid, more realistic, and they feature his deceased wife "Khari" (Natalya Bondarenchuk). Are these just hallucinations or are they more. Might they be real? Might they exist in an alternate reality? Is it something in the water? Andrei Tarkovsky uses his dialogue sparingly as he tautly directs this mystery. We are drip fed information - sometimes contradictory, sometimes speculative - just as "Kelvin" receives it - and we are left in the same quandary as he finds himself in. It's a sort of groundhog day scenario that plays out time and time again - but he cannot decide if he wants to break it, amend it or sustain it, and his colleagues are little help as they have long suffered from the same symptoms. I won't lie - it can be slow progress at times. It's not always helped by the rather soporific Artemyev score, and the pace is a little wobbly as we get to grips with the scenario, but once there this is a considered look at just how the human mind may/can/will work when tested and it's well illustrative of the fact that there is way more out there that we don't understand than we do. It does benefit from a big screen, if only to add a scope to the broadness of the production and the concept.
Such a soul torments young composer Georg von Wergenthin, around whom the author creates a precise picture of the fin de siècle, its neuroses and its politics. Georg starts a relationship with a young singer, but does not confess to her in front of his friends, even when she becomes pregnant by him.
Out of love, young Corinna follows the plantation owner Mannsfeld to the Far East - where she has to realize that he is already married. A small consolation for her is the fact that Mannsfeld is not about a womanizer, but that he is serious about his love for Corinna. The only thing standing in the way of this love is his wife, who, despite the broken marriage, does not want to let Mannsfeld go. When the wife is murdered, this crime seems to bring dubious happiness to the two of them - but it doesn't last long.
Television adaptation of the novel by the Italian writer Italo Svevo. His hero is Zeno Cosini, the son of a merchant in Trieste. He is a type of useless person, defeated by life and incapable of action. The ironic insight with which the author draws a picture of the townspeople of Trieste at the turn of the century sounds like an accurate diagnosis of a social class that is doomed with its entire lifestyle and morality.
When a girl's body is found on a beach in Poland's Tricity, a prosecutor teams up with the victim's mother on an impassioned quest for the truth.
When Joshua moves to the outskirts of Auburn, he awakens the curiosity of the sleepy town. They don’t know who he is or where he came from, but no one can shake the feeling they’ve known him for years. Despite his benevolence and selfless work in the community, some remain suspicious. Just what exactly is Joshua up to?
In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.
An ambitious carnival man with a talent for manipulating people with a few well-chosen words hooks up with a female psychologist who is even more dangerous than he is.
Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.
