Christmas Under the Northern Lights 2024 - Movies (Dec 23rd)
Since Yesterday The Untold Story of Scotlands Girl Bands 2024 - Movies (Dec 23rd)
The Cable That Changed the World 2024 - Movies (Dec 23rd)
Christmas in Big Sky Country 2024 - Movies (Dec 22nd)
Spithood 2024 - Movies (Dec 22nd)
Starve Acre 2023 - Movies (Dec 22nd)
Welcome Week A College Horror Anthology 2024 - Movies (Dec 22nd)
Pink Butterfly 2024 - Movies (Dec 22nd)
Catching Dust 2023 - Movies (Dec 22nd)
A Normal Family 2023 - Movies (Dec 22nd)
Sonic the Hedgehog 3 2024 - Movies (Dec 22nd)
Model House 2024 - Movies (Dec 22nd)
Four Souls of Coyote 2023 - Movies (Dec 22nd)
Vulgar 2024 - Movies (Dec 22nd)
Bad Tidings 2024 - Movies (Dec 22nd)
Buffalo Kids 2024 - Movies (Dec 22nd)
Nothing Even Matters 2024 - Movies (Dec 21st)
Katy Perry Night of a Lifetime 2024 - Movies (Dec 21st)
Happy Howlidays 2024 - Movies (Dec 21st)
Megalopolis 2024 - Movies (Dec 21st)
The Holiday Club 2024 - Movies (Dec 21st)
The Bold and the Beautiful - (Dec 23rd)
The Price Is Right - (Dec 23rd)
Deadline- White House - (Dec 23rd)
Katy Tur Reports - (Dec 23rd)
Wipeout - (Dec 23rd)
Andrea Mitchell Reports - (Dec 23rd)
A Bite to Eat with Alice - (Dec 23rd)
Chris Jansing Reports - (Dec 23rd)
Richard Osmans House of Games - (Dec 23rd)
Junior Taskmaster - (Dec 23rd)
The Worlds Strongest Man - (Dec 23rd)
Meet the Richardsons - (Dec 23rd)
I Am Georgina - (Dec 23rd)
Nevertheless- The Shapes of Love - (Dec 23rd)
The Count of Monte Cristo - (Dec 23rd)
The Famous Five - (Dec 23rd)
The Great Christmas Light Fight - (Dec 23rd)
Baddies Midwest - (Dec 23rd)
Joselines Cabaret Texas - (Dec 23rd)
Green Eyed Killers - (Dec 23rd)
I tried, I really did! I hoped that the fairly decent, experienced, ensemble cast coupled with state of the art visual effects and a collection of modern-day pop lyrics would breathe new life into this timeless story. Well, sadly, that was all just a triumph for optimism over, well, just about anything... It's terrible. Good looking, well produced, but terrible. Am I the only person left alive who is fed up being shouted at by Edina Menzel? Pierce Brosnan demonstrated in "Mamma Mia" (2008) that he is happy to play parts with his tongue in his cheek, but here I fear he must have cringed when he saw; likewise Minnie Driver and a whole host of British comedians led by the ubiquitously un-talented James Corden. Billy Porter tries a different take on the fairy godmother character but features all to sparingly to make much impact on an otherwise extremely pedestrian interpretation that reached it's nadir with the cute but totally wooden pairing of Nicholas Galitzine (Freddie Mercury would spin in his grave) and Camila Cabello. Sorry, maybe if I were 6 years old and had nothing to compare this with, I'd not be so harsh - but I'm not and this is poor, really poor...
Cinderella is a jukebox musical, based on a classic fairy tale, with CGI animals, and the now obligatory ethnically diverse cast (though oddly relegated to the extras; all of the main characters, with one exception that we'll get to later — and that's certainly not Camila Cabello —, are of the Caucasian persuasion. It's like, how much more lazy could this writing be? And the answer is none. None more lazy. To put it in perspective, Lin-Manuel Miranda's so-called songs from Hamilton or In the Heights are all over the place, but at least he sat down and committed them to paper himself (and you can tell from the result that he did without any help at all). Conversely, what we have here is the worst of two worlds: on the one hand, covers so watered down they constitute sonic homeopathy, and on the other, original songs so bland that they make the covers sound good in comparison. As bad as, say, Rocketman is, at least it's a jukebox musical that makes sense; after all, one expects to hear Elton John songs in an Elton John biopic. This of course doesn't change the fact that, should I want to listen to John's version of “Pinball Wizard”, I'm going to watch Tommy, not Rocketman. By the same token, if I want to see a Cinderella musical, the gold standard is still the 1950 Disney version, which contains original, plot-relevant songs that they were written expressly for the film — as opposed to a glorified playlist that fails miserably at the two most important functions a song has in a musical: moving the story forward and developing the characters (how exactly a medley of “Whatta Man” and “Seven Nation Army” is going to accomplish either of those things, I haven’t the foggiest) — especially considering that YouTube, iTunes, Spotify, etc. allow me to easily enjoy the superior, genuine article performed by the artists who wrote and/or recorded it in the first place. As for the exception to the 'inclusive' cast that I mentioned above, it's the Fabulous Godmother; played with overflowing exuberance by Billy Porter; this is the only character endowed with a life of its own, something for which the actor, and not the script or the director, deserves exclusive credit. The rest — even (sigh) Pierce Brosnan and Minnie Driver — are so opaque and forgettable that they might as well have been as computer generated as the animals
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
The American Beauty Association is about to hold its annual trade show in New York City and songwriter "Tiny" Lewis (Billy Gilbert) has just sold a song to Ina Ray Hutton ('Ina Ray Hutton'), the leader of an all-girl band headlining the show. Lewis shares an apartment with Bradley Miller ('Ross Hunter') and Michele (Fritz Feld), an artist, and Miller has just invented a non-staining lipstick called "Rosebud." Preparing to get a booth at the show, Miller is told by J. Webster Hackett (Alan Mowbray), a very devious "Cosmetics King,", intent on selling a big lipstick order to buyer Edgar Pomeroy (Thurston Hall), that it will cost him a $1000 to join the association and get a booth, which is about $999 more than Miller and his roomies have between them. But Miller's beauty-parlor girl friend, Janet Wilson ('Ann Savage'), meets factory-owner P. G. Grimble (Hugh Herbert), and money is soon no issue.
The Realest Real is a humorous exploration of the fickle and instant world of the internet.
Teenagers Scott and Mary are on their way to a Halloween party when their car breaks down, and they encounter a creepy castle where the depraved Dr. Frankenstein seeks to put Scott's brain in his monstrous creation. As for Mary, Count Dracula wants her for... well, you know.
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.