Wilmington 10 -- U.S.A. 10,000

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Won the Academy Award for the Best Documentary Short of 1954. The subject deals with the children at The Royal School for the Deaf in Margate, Kent. The hearing-handicapped children are shown painstakingly learning what words are through exercises and games, practicing lip-reading and finally speech. Richard Burton's calm and sometimes-poetic narration adds to the heartwarming cheerfulness and courage of the children. Preserved by the Academy Film Archive in partnership with British Film Institute in 2005.

Impressionistic picture of the Third Avenue Elevated Railway in Manhattan, New York City, before it was demolished. Preserved by the Academy Film Archive in 2010.

Documentary short about the American Civil War. Preserved by the Academy Film Archive in 2005.

This film examines the reasons why the United States decided to engage in the Korean War. Scenes describe Russia's attempt to gain power following World War II (Korea included), and its refusal to allow free elections in the country. Footage shows Soviet-backed North Korean troops' movement into South Korea on June 25, 1950, the United Nations' response, and the armed struggle against both North Korean and later Chinese troops led by General Douglas MacArthur. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2005.

Documentary short film detailing the history of the American Women's Army Corps, the WACS. Preserved by the Academy Film Archive, Academy War Film Collection, in 2009.

Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted. Preserved by the Academy Film Archive in 2008.

The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.

The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations. Preserved by the Academy Film Archive in 2012.