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Employing experimental techniques, Emshwiller magically moved through a collection of objects and artifacts in order to capture the spirit of George Dumpson and his backyard museum.

A documentary about unemployed workers in Walbrzych, Poland.

Between Parc-Extension and the town of Mont-Royal, a scar in space creates a strange dichotomy between two neighborhoods.

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough- His challenge was to make the politics human.

Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.

A single-channel, nonlinear performance video and diegetic sounds. Exploring the ground of the reenactments of intimacy and the public display of these reenactments through video projections.

Home movies and family photographs mixed with drawings and texts tell the story of a family that has lived with disease.

The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.

Denver’s iconic and Grammy Award-winning musicians reveal the secrets of their success and longevity in the music business while warning the young lions to whom they pass the torch to stay relevant in a marketplace both treacherous and brutal. The majestic Rocky Mountains tower over a bustling metropolis filled with steamy and romantic nightclubs where jazz flourishes on stage. JazzTown features never seen before live concert footage on historic stages that have now crumbled due to economic stresses of the Covid Pandemic. ~ Dianne Reeves, 5-time Grammy Award winner for Best Jazz Vocalist ~ US Senator John Hickenlooper (former jazz club owner) ~ Ron Miles (Colorado Music Hall of Fame, Joshua Redman, Bill Frisell, Ginger Baker) ~ Charlie Hunter (Snarky Puppy, Christian McBride, Stanton Moore) ~ Art Lande (Mark Isham, Gary Peacock) ~ Ayo Awosika (Session Singer on Soundtracks to: Wakanda Forever, Nope, Dune, The Lion King ... tours with Miley Cyrus,) and many more.