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Guys like Smitty they don't make anymore! Whispering Smith is directed by Leslie Fenton and co-adapted to screenplay by Frank Butler and Karl Kamb from Frank H. Spearman's novel. It stars Alan Ladd, Robert Preston, Brenda Marshall, Donald Crisp, William Demarest and Frank Faylen. Music is by Adolph Deutsch and cinematography by Ray Rennahan. Famed railroad detective Whispering Smith (Ladd) becomes conflicted when his latest case pits him up against one of his best pals. It's somewhat surprising to find Whispering Smith is not more well known, given that it's Ladd's first full length Western feature and that it's really rather good. With its opening scene of Ladd riding towards camera, with glorious landscape in the background, and the thematics of how Smith operates around women and children, this signposts towards Shane five years down the line. In fact this very much works as a tasty appetiser for that superb 1953 picture. Ladd cuts a fine figure as Smith, giving him the right amount of calm toughness so as to not over play the role, and Preston is on fine form, very ebullient and able to act heaps with only his eyes. Marshall on the surface doesn't impact greatly, in what is a key role, but the character is very shrewdly written and sits in the story as more than a token. The villains headed by Crisp are not very inspiring, while Faylen looks laughably out of place with a blonde wig!, but with Preston erring on the side of badness the good versus bad axis of plotting thrives well enough. Pic is filled with a number of shoot-outs, banditry and awesome locomotive action, all set to the backdrop of beautiful - Technicolor enhanced - California locales. The running theme of railroad progression in the West is interestingly written, managing to not take sides and let the viewer enjoy both sides of the coin, though a moral equation that Smith ultimately arrives at doesn't quite add up. Add in Fenton's unfussy direction, Rennahan's location photography (see also night sequences) and Deutsch's pleasingly compliant score, and Western fans are good to go. This doesn't pull up any tress or have the psychological savvy of what many Oaters of the next decade would explore, but it's very well mounted and engages from the get go. 7/10
An agent searches for a psychopath guilty of robbery and murder, and falls in love with a murder victim's sister.
A piece of writing with real danger and which focuses on a mysterious mafia of violent Viet Nam Vets living on freight trains who are akin to Hell's Angels without the Harley. The net is closing since they are being pursued by relentless railroad agents. They may be a repugnant set of people and the film will disturb and provoke the audience that sees it but it follows what John Steppling (also writer of '52 Pickup' directed by John Frankenheimer w/ Roy Sheider and Ann Margaret and 'Animal Factory' directed by Steve Buscemi w/ Willem Dafoe. Mickey Rourke. Ed Furlong) believes - 'Art is not your friend'.
A tough cop meets his match when he has to guard a gangster's widow on a tense train ride.
Tom Logan is a railroad detective who takes it upon himself to halt the activities of his crooked brother Duke. Duke and his henchman have stolen an entire gold train, including the passengers......
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies must find a way to hold out against the rancher's hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger - and a mysterious beauty who just came in on the last stagecoach.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners - who are freed by the blast - Miranda becomes a revolutionary hero against his will.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
A fatally wounded white man is found by an outcast Native American who prepares him for the afterlife.
Two bounty hunters are in pursuit of "El Indio," one of the most wanted fugitives in the western territories, and his gang.