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The Winchesters - (Feb 8th)
The Price Is Right - (Feb 8th)
24 Hours in A and E - (Feb 8th)
Dickinsons Real Deal - (Feb 8th)
The Chase - (Feb 8th)
Tipping Point - (Feb 8th)
Australias Wild Odyssey - (Feb 8th)
Ambulance - (Feb 8th)
Bradley Walsh and Son- Breaking Dad - (Feb 8th)
Sort Your Life Out With Stacey Solomon - (Feb 8th)
American Auto - (Feb 8th)
Night Court - (Feb 8th)
9-1-1- Lone Star - (Feb 8th)
Independent Lens - (Feb 8th)
Know Your S**t- Inside Our Guts - (Feb 8th)
The Young and the Restless - (Feb 8th)
The Talk - (Feb 8th)
The Bold and the Beautiful - (Feb 8th)
Four in a Bed - (Feb 7th)
Murdertown - (Feb 7th)
Hvem går det? The Thing is directed by Matthijs van Heijningen Jr. and adapted to screenplay by Eric Heisserer. It's based on the novel "Who Goes There?" by John W. Campbell and is a prequel to "John Carpenter's The Thing" from 1982. It stars Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Eric Christian Olsen and Adewale Akinnuoye-Agbaje. Music is by Marco Beltrami and cinematography by Michel Abramowicz. Antartica, 1982, and scientist Kate Lloyd is requested to investigate something strange at a Norwegian base station. By accident the Norwegians have discovered what appears to be an alien craft frozen beneath the ice. Their thoughts prove to be correct and they are rightly celebrating a magnificent discovery, particularly as there appears to also be a frozen being in the ice. But it's not long before everyone at the base begins to regret unearthing the being... No serious John Carpenter fan wanted this film, it wasn't needed or required. His 1982 film is an awesome slice of sci-fi horror, a remake itself of a very good film, "The Thing from Another World" (Howard Hawks 1951), Carpenter flipped the scenario around from Hawks' movie to great effect. Paranoia and creeping dread blended with amazing beasties to make for what many feel is one of the ultimate sci-fi horror movies going. So why remake it then? Well, we are told by Heijningen Jr and his team that this is a prequel to Carpenter's movie, asking the big questions such as just what happened at the Norwegian base station before Kurt Russell's manly mob got there? Making this a sort of filling in the blanks session. Not a bad idea at all is that, something good to work from, even if we know from the beginning of Carpenter's movie just how many Norwegian's survived! Now the problem here is that it may be a prequel, and attention to detail in scenes linking both films together is rather ace, but it's devoid of freshness, the makers pretty much following the exact same formula of Carpenter's film. Cue a group of scientist types getting spooked by something ghastly stalking them, cue one by one them getting offed in grizzly ways by an assimilating menace and cue paranoia and suspicion. They even put in the test sequence from 82, only with a metal slant instead of blood, while the creatures are the same only bigger in body horror terms and budget. Instead of Kurt Russell's mighty machismo, we get Winstead's spunky lady (she's the one without the face fuzz here), but it's the same old same old routine, only for the "Scott Pilgrim" crowd. When all is said and done, this is pretty much a remake of a far far better film. Yet for all that is annoying and unadventurous about it, it's still a bunch of fun, the director is capable in having us wonder what is around the corner, utilising the cramped interiors for maximum fret. The various creatures born out of the Thing itself are monstrous, especially the two headed one which we see horrifically birthed, and even though the CGI is there, with some of it poor, much of it is blended with practical work and the human actors to stop it from being "all" about the effects. It's also nice to report that there is undeniably love and respect for the 82 cut. Leading cast performances are efficient, but Winstead is just too young and looks out of place, she does not, however, fail for lack of effort to make her thinly written part work. Bonus is the Norwegian actors adding some intense character dynamics to the plotting. Beltrami's score nods appreciatively to Morricone's original, and on Blu-ray Abramowicz's steely coloured photography really pings out of the screen. In an alternative universe where there is no John Carpenter film, this would be a well regarded entry into the creature feature stable. With enough shocks and squirmy screams delivered for the genre eager crowd. But unless you are someone who hasn't seen Carpenter's superior movie, then this will feel like a shallow imitation, just like, ironically enough, one of The Thing's assimilated humans. A generous 7/10 from me because I did have fun watching in the privacy of my own home with the lights off. Other Carpenter fans, though, are most likely to start rating from my 7 and work backwards I feel...
After a zombie becomes involved with the girlfriend of one of his victims, their romance sets in motion a sequence of events that might transform the entire lifeless world.
Wreck-It Ralph is the 9-foot-tall, 643-pound villain of an arcade video game named Fix-It Felix Jr., in which the game's titular hero fixes buildings that Ralph destroys. Wanting to prove he can be a good guy and not just a villain, Ralph escapes his game and lands in Hero's Duty, a first-person shooter where he helps the game's hero battle against alien invaders. He later enters Sugar Rush, a kart racing game set on tracks made of candies, cookies and other sweets. There, Ralph meets Vanellope von Schweetz who has learned that her game is faced with a dire threat that could affect the entire arcade, and one that Ralph may have inadvertently started.
After spending eight months in a mental institution, a former teacher moves back in with his parents and tries to reconcile with his ex-wife.
A young boy and his dog, who happens to have a genius-level IQ, spring into action when their time-machine is stolen and moments in history begin to be changed.
Cantinflas and three friends return a stolen necklace to an actress who invites them to be extras at Clasa studios. While on the set, he falls asleep and dreams that he is d'Artagnan, fighting on behalf of Queen Anne.
Based on the beloved book by Scott O'Dell, this family movie tells the adventures of a young Native American girl. After her father is killed by a malevolent white trapper, Karana joins her community as they leave their island home in the Pacific to live on the mainland. Upon her departure, Karana realizes that her brother has been left behind. She immediately swims back to be with him and the two remain on the abandoned island. Though Karana is able to domesticate a wolf, her brother is not so fortunate with the animals and is killed by a pack of wild dogs. She is left to survive against the odds.
Nazis chase a U.S. newsman (Robert Mitchum) paid to smuggle names of Greek resistance leaders to London.
After a sub-dermal parasite enters his brain, a woman finds her ex-boyfriend paralyzed on top of her during sex - pinning her to the ground. Then things get worse. Skinfections trilogy no. 3
After finding a sexually liberated boyfriend, a divorced woman gets sued over daughter's custody, by her ex, who claims that her lover has a bad influence on the kid.
A married woman lets her lover take naked pictures of her. The photos end up in possession of a man who starts blackmailing the couple.