1964-1968 Trams in Amsterdam, Rotterdam en Den Haag

Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.

Virgin School follows the emotional and physical journey of 26-year-old virgin James as he embarks on a unique four-month course for sexually inexperienced men in Amsterdam

When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.

At 41 years old, the Quebecois conductor Yannick Nézet-Séguin has established himself as one of the most gifted maestros of his generation, with numerous prestigious posts with some of the world’s greatest orchestras already under his belt, including the Philadelphia Orchestra and the Rotterdam Philharmonic Orchestra (music director), London Philharmonic Orchestra (principal guest conductor), and the Orchestre métropolitain de Montréal. One week before Nézet-Séguin's official nomination as music director of the Rotterdam Philharmonic Orchestra in 2008, filmmaker Christiaan van Schermbeek met the maestro for the first time. The once-in-a-lifetime event inspired Schermbeek to begin this documentary project, giving us a fascinating glimpse into the life of a truly extraordinary individual.

Bas Jan Ader rides his bike into a canal in Amsterdam.

Humorous, melancholy documentary about copywriter, photo model and poet Frans Vogel (1935-2016). A handsome kid who became involved in the art world of the 1950s. Thanks to his absurd humor and provocative behavior, Vogel became a familiar face on the Rotterdam art scene.

Next to the Bijenkorf on the Coolsingel stands one of Rotterdam’s most famous sculptures, an untitled structure created by Russian modernist artist Naum Gabo, that has been simply called Het Ding (The Thing). This documentary about the restoration of Naum Gabo’s nameless sculpture from 1957 combines awe-inspiring shots of this artwork with audio fragments from Gabo’s fiery Russian manifests.

The Platoschool was founded in Amsterdam in 1983, a primary school for parents who wanted more than just math and language for their children. The founders of the Platoschool had great ideals, ideals that the parents of documentary maker Yara Hannema fell in love with. The children would grow into special people with a high level of consciousness, but the teachers ran wild in their strictness and discipline. There was beating and abuse of authority. The school was discredited and had to close its doors in 2002.

Documentary about a group of young idealistic friends in their squat in Amsterdam. Chased by the police and the press, they moved from squat to squat, with a clear message: don't make the city too expensive for the new generation of Amsterdammers. But living with such a large group and the flaws of the squat begin to take their toll. When the squatters collective falls apart halfway through the film, the filmmaker is left disillusioned and decides to confront the young squatters with her feelings of disappointment.

A worn-out floor, the hole underneath, a political activist, and the Ouled Sbita tribe are the protagonists in this political satire. For 23 years, the director’s chair at an international art institute scratched the wooden floor. This 102cm x 120cm floor section is cut out and sent to an expropriated piece of land in Morocco. In The Hole’s Journey, Ghita Skali uses sharp wit, personal stories and playful editing to touch on specific power dynamics and freedom of choice.