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Bravo for The Bravados! The Bravados is directed by Henry King and adapted to screenplay by Phillip Yordan from the story written by Frank O’Rourke. It stars Gregory Peck, Joan Collins, Stephen Boyd, Albert Salmi, Henry Silva, Lee Van Cleef, Kathleen Gallant and Barry Coe. Music is scored by Lionel Newman and cinematography is by Leon Shamroy. Jim Douglass (Peck) is pursuing the four outlaws who murdered his wife and finds them locked up in a Rio Arriba jail. When they escape jail and flee to Mexico, Douglass goes off once again in pursuit with revenge eating away at his very being. Henry King and Gregory Peck made a number of films together, that they only made two Westerns is a constant sorrow to genre lovers. They made the quite superb The Gunfighter in 1950 and finally reconvened again in the genre for The Bravados eight years later. While as a point of notice The Bravados is not as great, it’s still one damn fine and meaty picture that finds the two men on either side of the camera bringing the best out of each other. This on the surface looked to be a standard revenge driven story that would serve the Western genre so well during the heyday, but there’s a downbeat vibe to it all, which when cuffed together with ambiguous characters and an almighty revelation at story’s finale, marks it out as a must see for like minded Oater souls. It even throws up moral quandaries and boldly points an accusing finger at religion under a violent cloud, this for sure sits stoutly among the Adult Westerns splinter that so enriched a genre that almost sank into a light entertainment mire. As the astute King establishes main characters and paces to precision for taut intrigue, Shamroy revels in the Scope format and cloaks the pic with ethereal vividness, especially for the night time sequences. Then it’s all about Peck, who brings a brooding menace here that wasn’t seen very often, which as it happens is something that makes the finale all the more special given his character is forced into an emotional flip-flop of substance. We of course have a number of Western staples, the fights, despicable crimes, tracking through glorious landscapes et al, all of which are staged with thought and potency for entertainment purpose. The four outlaws are given enough meat to chew on, Bill (Boyd) is all vile and loose cannon like, Alfonso (Cleef) is shifty and oily, Ed (Salmi) a weasel and Lujan (Silva) is the ace in the pack, with more to him than meets the eye and he turns in a smart underplayed perf. Unfortunately, as is universally noted by most who have seen this, Collins is not only poorly cast as the main female character (Latino love interest, really?), she’s also under written and has no chemistry with Peck. It’s actually more credit to Peck that his strong silent type thesping ensures the Collins misstep doesn’t hurt the pic too much. A must see for Western, King and Peck fans like. 8/10
The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.
This film is about Zagor’s revenge upon four men that persecuted his family. Rodrigo, Lopez and Şerif take the mine that Zagor discovers. They don’t even give him a share. They deposit him famished, thirsty and on foot in the desert. Along the journey, he meets Mr. Taylor and his daughter. Mr. Taylor teaches Zagor how to use a gun quickly. Zagor goes back and settles the score with those who have done him wrong. But the villains do not sit idle. They kill Zagor’s sibling Katito, mother, and father. They also kill Mr. Taylor and steal his horse. Zagor marries Mr. Taylor’s daughter. He then exacts revenge on Rodrigo, Lopez, Şerif and Karlo one by one
In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.
Things go horribly wrong when Catherine and Rebecca, two Catholic School girls, knock on the wrong door while selling Religious paraphernalia.
A shy and mute seamstress goes insane after being attacked and raped twice in one day. She wanders the New York streets at night in a sexy black dress with her attacker's gun strapped to her garter belt, blowing away any man who tries to pick her up.
A young, beautiful career woman rents a backwoods cabin to write her first novel. Attacked by a group of local lowlifes and left for dead, she devises a horrific plan to inflict revenge.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
While on a fishing trip, Harry Baldwin and his family hear an explosion and realize that Los Angeles has been leveled by a nuclear attack. Looters and killers are everywhere. Escaping to the hills with his family, he sets about the business of surviving in a world where, he knows, the old ideals of humanity will be the first casualties.
A truck driver builds a special, eight-ton monster truck to help get revenge against the rednecks who killed his family.
