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Navajo Nearly No! Navajo Joe is directed by Sergio Corbucci and collectively written by Fernando Di Leo, Ugo Pirro and Piero Regnoli. It stars Burt Reynolds, Aldo Sambrell, Nicoletta Machiavelli, Tanya Lopert and Fernando Rey. Music is by Ennico Morricone and cinematograpy by Silvano Ippolitti. Though Reynolds would say it’s the worst film he ever made, anyone who has followed his career will know that simply isn’t the case! It’s an odd Spaghetti Western that sees Reynolds play the title character, who strides out for revenge against the ragamuffin varmints who slaughtered his woman and tribe. Cue blood letting galore as Joe enacts said revenge with bloodthirsty glee as the hints of anti-racism struggle to show their heads above the pasta strewn pulpit. Narratively there’s nothing else to add, it’s simplicity 101 and at times it becomes laborious. Where the film doesn’t lack for interest is with the technical aspects. Corbucci hones his skills as a purveyor of brutal set pieces, each striking for entertainment purpose. Ippolitti adds his own brand of cinematography, gracing the story with a pizzaz it doesn’t deserve, whilst Morricone provides a wonderfully catchy musical score. As for Reynolds? He does OK. Veering close to being pantomime and showing a lack of interest, his all round brooding charisma shines bright and gives the picture a macho edge. Not a great film by any stretch of the imagination, the script is just too lazy, but it is above average and Spaghetti Western fans can find enough here to gorge on for a satisfying meal. 6/10
OK spaghetti from Corbucci but far from his best. Reynolds looks like a primitive with that forehead and hair. Aldo Sambrell excellent as "Duncan". Nicoletta beautiful and talentless as always. The ending had good and not so good moments, the final scene corny.
Jesse W. Haywood (Don Knotts) graduates from dental school in Philadelphia in 1870 and goes west to become a frontier dentist. Penelope "Bad Penny" Cushing (Barbara Rhoades) is offered a pardon if she will track down a ring of gun smugglers. She tricks Haywood into a sham marriage as a disguise. Haywood inadvertently becomes the legendary "Doc the Haywood" after he guns down "Arnold the Kid".
Ruthlessly pursued by the Rogers family following a dispute over cattle, Ben Caine (Benito Stefanelli) is chased back to the Caine Ranch. Despite his wife Maria's (Michèle Mercier) desperate pleading, the Rogers family hangs Ben Caine, forcing Maria to watch. Consumed with revenge but finding her two brothers-in-law reluctant to assist, Maria enlists the help of Manuel (Robert Hossein). Manual, presumably preoccupied with the past, wears a single black glove and lives alone in a ghost town. Manuel agrees to Maria's plan with reluctance, in part because of his deep feelings/attraction to her. Manuel finds employment as foreman at the Rogers' ranch and surreptitiously kidnaps Pa Rogers' (Daniele Vargas) only daughter Johanna (Anne-Marie Balin). With Johanna as the bait, Maria will be in the perfect position to exact her revenge on the Rogers but things don't turn out quite as planned.
Ex-army officer accidentally kills a woman's son, tries to make up for it by escorting the funeral procession through dangerous Indian territory.
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners - who are freed by the blast - Miranda becomes a revolutionary hero against his will.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.