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Deadline- White House - (Jul 26th)
8 Out of 10 Cats Does Countdown - (Jul 26th)
Gutfeld! - (Jul 26th)
Jesse Watters Primetime - (Jul 26th)
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Special Report with Bret Baier - (Jul 26th)
The Great House Giveaway - (Jul 26th)
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The Last American Vagabond - (Jul 26th)
Watch What Happens Live with Andy Cohen - (Jul 26th)
The 11th Hour with Stephanie Ruhle - (Jul 26th)
Trucking Hell - (Jul 26th)
No Place Like Home - (Jul 26th)
George Clarkes Amazing Spaces - (Jul 26th)
Masters of Illusion - (Jul 26th)
Worlds Funniest Animals - (Jul 26th)
The Cook Up with Adam Liaw - (Jul 26th)
Dateline- Unforgettable - (Jul 26th)
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Edward Zwick's "The Last Samurai" is about two warriors whose cultures make them aliens, but whose values make them comrades. The battle scenes are stirring and elegantly mounted, but they are less about who wins than about what can be proven by dying. Beautifully designed, intelligently written, acted with conviction, it's an uncommonly thoughtful epic. Its power is compromised only by an ending that sheepishly backs away from what the film is really about. Tom Cruise and Ken Watanabe co-star, as a shabby Civil War veteran and a proud samurai warrior. Cruise plays Nathan Algren, a war hero who now drifts and drinks too much, with no purpose in life. He's hired by Americans who are supplying mercenaries to train an army for the Japanese emperor, who wants to move his country into the modern world and is faced with a samurai rebellion. The role of the samurai leader Katsumoto (Watanabe) is complex; he is fighting against the emperor's men, but out of loyalty to the tradition the emperor represents, he would sacrifice his life in an instant, he says, if the emperor requested it. But Japan has been seized with a fever to shake off its medieval ways and copy the West, and the West sees money to be made in the transition: Representatives from the Remington arms company are filling big contracts for weapons, and the U.S. Embassy is a clearinghouse for lucrative trade arrangements. Into this cauldron Algren descends as a cynic. He is told the samurai are "savages with bows and arrows," but sees that the American advisers have done a poor job of training the modernized Japanese army to fight them. Leading his untried troops into battle, he is captured and faces death -- but is spared by a word from Katsumoto, who returns him as a prisoner to the village of his son.
Recommended. 'The Last Samurai' features some very cool and entertaining battle sequences, which are shot excellently. The premise itself is attracting, it's acted out astutely by the noteworthy cast list. It probably lasts too long, but I never truly got a feeling of it dragging out though. Tom Cruise is fantastic as Capt. Nathan Algren. It's no secret or surprise as we all know that guy can act, he adds a great deal to his character here; especially on the emotional side of things. As for what happens with Algren, it's all good even if the love interest parts are undercooked. Ken Watanabe is splendid in the role of Katsumoto, while Masato Harada (Omura) and Timothy Spall (Graham) give positive performances. It's also nice to see Billy Connolly (Gant) and Scott Wilson (Swanbeck) appear. Hans Zimmer's score is, as presumed, grand. That would be one of a number of reasons why I'd say you should watch this.
"Nathan Algren" (Tom Cruise) is a disenchanted, alcoholic Captain who, post American Civil War, is offered the chance of a fresh, lucrative, start in Japan training some raw recruits to form the basis a standing Imperial Army. He arrives and is presented to the young, forward-looking but somewhat intimidated Meiji Emperor and it subsequently becomes clear that his purpose is primarily to assist Ômura, the Prime Minister, to create a military force capable of defeating the traditionalist, but loyal, Samurai clan of "Kausumoto" (Ken Watanabe). The first skirmish doesn't quite go to plan, and "Algren" is captured. Over the harsh winter, he befriends his warlord captor and the film begins to introduce us to the honourable and upright values of the man and of his beliefs and fundamental, if at times, ruthless decency. It mixes truth with fiction in a clever, unsentimental manner - Watanabe's performance is considered and engaging as the man on the cusp of a new era which neither he, nor his people, want or understand. Cruise is clearly the man behind the concept and is to be commended for bringing this gloriously good looking story to the screen; he is not, however, especially good in the lead - the part calls for a sophistication that he, as an actor, simply doesn't possess. There is also a curious role for Scots comedian/actor Billy Connolly who originally enlists "Algren" to the cause - with an accent that is all over the place. Masato Harada delivers well as the devious Minister who, in his own way, wants his society to adapt and flourish and Shichinosuke Nakamura gives the person of the Meiji emperor a caring, aspirational vulnerability that helps give the whole film a sense of truth and authenticity. The technical standards - especially during the frequently brutal battle scene are consistently high.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
The day after they get the word they'll go home in two weeks, a group of soldiers from Spokane are ambushed in an Iraqi city. Back stateside we follow four of them - a surgeon who saw too much, a teacher who's a single mom and who lost a hand in the ambush, an infantry man whose best friend died that day, and a soldier who keeps reliving the moment he killed a civilian woman.
Yuko Moriyama stars in this ninja period piece as one of seven women determined to exact revenge on the evil lord Akinari Katou and “The 7 Spears”, the band of soldiers he commands. Trained assassins and skilled in sorcery, these men took over the Aizu prefecture and took its most beautiful young women as concubines. They left behind 7 daughters now seeking out Jyubei Yagyuu to help get revenge.
A nameless gunfighter arrives in a town ripped apart by rival gangs and, though courted by both to join, chooses his own path.
In 1930s Texas, a widow and her family fight to save their home by harvesting cotton.
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
Four fallen robot gladiators are rescued from the scrap pile, turned into an elite group of mercenaries and sent on a mission to bring about a new age of enlightenment in a post-apocalyptic universe.
In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.
A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.
Afro Samurai avenged his father and found a life of peace. But the legendary master is forced back into the game by a beautiful and deadly woman from his past. The sparks of violence dropped along Afro’s bloody path now burn out of control – and nowhere are the flames of hatred more intense than in the eyes of Sio.