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A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.
Don’t Let the Sun Catch You Crying is a short meditation on love, grief, and imagination. The hand-drawn animated documentary was created through a collaboration between mother, elder and narrator Edith Almadi and filmmakers Natalie Baird and Toby Gillies. This poetic piece celebrates life and the transformative ability of art to elevate and transcend us. Through vivid drawings and Edith’s simple yet magical words, the film explores our enduring bond with loved ones who have passed. In honouring her son’s life within the cosmos, Edith’s artworks embody colours, shapes and metaphors that remind us of the timeless power of love, gravity, and grace until our final breaths.
1928 was the last year when silent films dominated the market, and this aviation-based action serial from Pathe was one of the studio's last. Some pieces are no longer extant (half of chapters 3&6, all of 7, 8, and 9, and the beginning of the 10th and final chapter), but the beginning and end are there as well as enough to follow the action adequately. The surviving Grapevine print is beautifully restored and tinted in spots, although you can tell the print is deteriorated in some of the surviving sections. Basically, an inventor (Josef Swickard, in a role not unlike the one he later played in THE LOST CITY) has created a silencer/muffler for planes to silence any engine sounds, and the bad guys are out to steal the invention and put it to evil use.
Carl Behrend, son of a wealthy businessman, marries Pauli Arndt, daughter of a pacifist professor. When World War I breaks out, Carl is drafted. Pauli and her family and friends are left behind to experience the suffering which befell civilians during the war. Her luck worsens when her father is dismissed from his professorship for teaching that war is evil. Her father argues violently with Carl's father, and degradation and despair descend on Pauli and her family as they await Carl's return from the front.
The rich, amoral Zelie is married to Pierre Boucheron, "The Rat" - but her interest in another man is an open secret. Forced to defend his honour, the Rat takes refuge in his old domain of the Paris underworld. But even here he has a rival - and when murder is afoot, the sinister Morel's ambition threatens to cost the Rat dear....
A controversial, low-budget drama about the life of a young teenage girl that goes on the "road to ruin." Sally is a 16-year-old New York City teen who, neglected by her parents, takes up smoking and drinking, engages in affairs with a series of older men, gets arrested by the police during a strip poker game, is sent home only to discover later that she's pregnant, and after getting an illegal abortion, the words "The Wages of Sin is Death" inexpliably appear over her bed in fire.
Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.
The film is a wonderfully accurate portrayal of the three stories: The stories are tied together with original dialogue and scenes by Martha / Anne / Freda / Judith (Valérie Stroh) and René Feret which follow a Golden Notebook/Anna Wulf theme: she is "writing" the stories and has a boyfriend named Paul who is a psychiatrist. A Man and Two Women: Anne, a young woman, a slightly bohemian painter: "in love" with her newborn, she abandons her husband while Isabelle, her best friend, attracted by to him and becomes little by little her rival. Each Other:Fréda finds her brother every morning in the secret of her bedroom,they leave themselves and incestuous effective becomes the only possible relationship for both. Our Friend Judith: Judith, a cold and warm intellectual, secret and complex - Beautiful, Judith is careful not to show it, she knows interment and that is enough. Intelligent, she does not bend to the rules of fashion nor seduction.
A little Nenets girl Neko is taken against her will from her home to a boarding school in a remote Russian village. Forced to adapt to a foreign culture and new customs, Neko rebels and decides to flee, hoping to get back to her family and old habits.
A mother struggles to raise her daughter all by herself, and due to the economic difficulties decides to rob multiple finance houses, fooling her victims with the handle of her umbrella that she make them think is a real revolver.