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_Halloween Ends_ is such a weird film, as a standalone movie I enjoyed it but in the trilogies totality it underwhelms and undermines. With each entry in this trilogy, the movies get farther and farther away from what Halloween is. With Ends there is no tension and no horror, there are some good kills but with nothing building up to it they felt stale. This movie also tears down Michael Meyers in a way that felt out of place in the trilogy. Halloween Kills built Michael up to be an indestructible force with the ability to withstand fire or multiple gunshot wounds, but in Ends that is flipped on its head making him weak due to the ending of the predecessor. It left me feeling like the writers had no idea what they were doing in developing this trilogy. The marketing of the movie was a total farce as well. It was building up to a final clash between Laurie and Michael, and while that does happen the majority follows a character that was just introduced (Corey Cunningham). Even though I really like the opening sequence and backstory to Corey, it had no place being centerstage in the final installment. Overall, this movie was slightly better than the sequel but still squanders the potential that Halloween (2018) had for the trilogy. If any more movies or trilogies are made in the future, please for the love of God hire a producer/writer to develop the entire series instead of piecing it together film by film. **Score:** _44%_ | **Verdict:** _Poor_
**Poor writing and a confusing story overshadowed a few shining moments and satisfying conclusions to character stories.** It’s so hard to choose whether I liked or disliked Halloween Ends. I enjoyed the resolution to Laurie Strode’s 40-year story arc and the hopeful journey for her granddaughter, Allyson. Even the final showdown between Jamie Lee Curtis and Michael Myers was satisfying, although the story didn’t build to the climax well. Sadly that is where the pros stop. The story was a convoluted mess that ignored all the build-up of the first two films and focused on a new character that didn’t matter to the overall story and didn’t have much impact on the film. As a result, Halloween Ends forgot what made its two predecessors successful and told a pointless meandering tale that had its moments but ultimately disappointed.
An unfortunate end, to a horror franchise, that started way back in 1978. Halloween Ends, is an inarticulate mess, that fails to build on past films. Instead, it delivers an incomprehensible story, that makes little to no sense, save that it brings the overriding story, to a somewhat confused, conclusion. On the upside solid acting and some tense, jump scare moments but really, its not enough. In summary, a reasonable cast in a poorly scripted film, that add's little to nothing that is meaningful, to the tale of serial killer, Michael Myers.
It's a sad state of affairs when HALLOWEEN ENDS (2022) is being classed as a "bad", "terrible" or "disgraceful" motion picture and I worry for cinema as a whole if the only direction the mass want is nothing but cookie-cutter. This film is a straaaaaaange beast and it probably holds the world record for the quickest development of a relationship on screen. Bloody hell, I wanted that relationship to succeed. I'm going to be controversial here... did we need Michael Myers at all here? Maybe the 2 or so scenes we get in the sewer early into the film and that's it... maybe pass the evil on and Michael die of his wounds. The evil is contagious element worked for me and Corey (played by Rohan Campbell) was the standout character. Issues? Yes, there are some - the narration and memoir aspect weren't needed and Corey's mum... erm, I'll leave it there. But I admire this film, oh boy do I. I'd rather the risk be taken than them fall back into the same old routine. Now, before I start the Corey Appreciation Society, all I have left to say is... give a new biscuit a try.
_Halloween Ends_ does provide what it promises and that’s a proper end to the Laurie Strode saga. However, the birth of a new rushed, hot-headed, and sloppier version of The Shape seems to take precedence only to be squashed before Laurie and Michael meet one last time. Entertaining at times and frustrating at others, _Halloween Ends_ is a bloody scenic route of a conclusion that is mostly satisfying despite its underappreciated albeit risky detours. Full review: https://hubpages.com/entertainment/Halloween-Ends-2022-Review-A-Square-Shape-in-a-Round-Horror
Well there is a hewn-out pumpkin that looks ever so slightly scary... Otherwise, this is just one "Halloween" movie too many and it's only scream yells "put me out of my misery" pretty much from the start of this slow and plodding denouement to the franchise. Rohan Campbell ("Corey") is bullied by some kids who end up shoving him from a bridge. He is dragged into the storm drains by you know who and emerges a man possessed. He has also attached himself to "Allyson" (Andi Matichak) who just happens to be the daughter of long suffering "Laurie" (Jamie Lee Curtis) and after a bit of hysteric family melodrama, all of her demons are flee-flowing and we are heading, slowly and ponderously to a conclusion that the best of which has already been seen many times in the trailers. This is far too long, virtually nothing happens until the last fifteen minutes and even then, there isn't even the vaguest hint of menace or jeopardy. The production is adequate, but JLC doesn't really feature often enough - as in "Halloween Kills" (2021) to make much impact - and the whole thing is episodic and smacks of made for television. Please let it be the final instalment - this bears no resemblance whatsoever to the original 1978 introduction to "Myers" et al.
Okay, seriously, when is the real "Halloween Ends" be released? What I saw for the bulk was some lame CW-like story. I have to think at this point David Gordon Green and the writer crew are just pulling a prank. I half expected a post-credit scene with Impractical Jokers... I don't even know what to say. I had low expectations going in given how much I disliked Halloween Kills but Ends didn't even meet the lows of the lows. Really dumb. **1.0/5**
My favourite of the most recent three, if not of them all. 'Halloween Ends' gave me more than I was expecting, if I'm honest. After the solid if slightly underwhelming 'Halloween Kills' I thought this may fall further adrift but, happily, it doesn't. I think that I like this the most of all twelve entries after the original, which is probably still a jot above this one in my mind. I won't repeat myself too much as I've summed up my overall thoughts on this franchise in prior reviews of those other flicks, but in short I enjoyed this release more consistently throughout and the characters actually interested me a fair amount. Jamie Lee Curtis is, obviously, the star of the show, but Rohan Campbell is a great addition and Andi Matichak gives her best showing of these David Gordon Green films. In previous installments the cast behind (or sometimes in place of) Curtis have failed to truly entertain me, perhaps aside from the first one and (minimally) 'Halloween H20: 20 Years Later', but here I was happy to follow the scenes involving those behind Curtis. I will say that the third act lost me a little in terms of interest, though that's only ever so slightly as all in all I had a good time with this. Let's hope they end this franchise here but I highly doubt that they will - gotta catch that £!
It's Halloween. Time for the annual fall fair. Everyone is excited and ready to have fun. Clancy The Clown has something different in mind.
John McClane is back and badder than ever, and this time he calls on the services of a young hacker in his bid to stop a ring of Internet terrorists intent on taking control of America's computer infrastructure.
New York detective John McClane is back and kicking bad-guy butt in the third installment of this action-packed series, which finds him teaming with civilian Zeus Carver to prevent the loss of innocent lives. McClane thought he'd seen it all, until a genius named Simon engages McClane, his new "partner" - and his beloved city - in a deadly game that demands their concentration.
One year after his heroics in Los Angeles, John McClane is an off-duty cop who is the wrong guy in the wrong place at the wrong time. On a snowy Christmas Eve, as he waits for his wife's plane to land at Washington Dulles International Airport, terrorists take over the air traffic control system in a plot to free a South American army general and drug smuggler being flown into the US to face drug charges. It's now up to McClane to take on the terrorists, while coping with an inept airport police chief, an uncooperative anti-terrorist squad, and the life of his wife and everyone else trapped in planes circling overhead.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.
Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.
A former murderer and genius chef along with a waitress come together with a group of fantastical assassins in a diner. A girl with a hollowness in her heart, who believes that she belongs nowhere, is thrust into a series of attacks where she must struggle to find her will to live.
Sophie Jacobs is going through the most difficult time of her life. Now, she just has to find out if it's real.
Attempting to recover from a recent family trauma by escaping into the woods for a peaceful hiking trip, an ex-lawman and his young son stumble across a dangerous contract killer.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.