The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Cruising with Susan Calman - (Jan 17th)
_Halloween Ends_ is such a weird film, as a standalone movie I enjoyed it but in the trilogies totality it underwhelms and undermines. With each entry in this trilogy, the movies get farther and farther away from what Halloween is. With Ends there is no tension and no horror, there are some good kills but with nothing building up to it they felt stale. This movie also tears down Michael Meyers in a way that felt out of place in the trilogy. Halloween Kills built Michael up to be an indestructible force with the ability to withstand fire or multiple gunshot wounds, but in Ends that is flipped on its head making him weak due to the ending of the predecessor. It left me feeling like the writers had no idea what they were doing in developing this trilogy. The marketing of the movie was a total farce as well. It was building up to a final clash between Laurie and Michael, and while that does happen the majority follows a character that was just introduced (Corey Cunningham). Even though I really like the opening sequence and backstory to Corey, it had no place being centerstage in the final installment. Overall, this movie was slightly better than the sequel but still squanders the potential that Halloween (2018) had for the trilogy. If any more movies or trilogies are made in the future, please for the love of God hire a producer/writer to develop the entire series instead of piecing it together film by film. **Score:** _44%_ | **Verdict:** _Poor_
**Poor writing and a confusing story overshadowed a few shining moments and satisfying conclusions to character stories.** It’s so hard to choose whether I liked or disliked Halloween Ends. I enjoyed the resolution to Laurie Strode’s 40-year story arc and the hopeful journey for her granddaughter, Allyson. Even the final showdown between Jamie Lee Curtis and Michael Myers was satisfying, although the story didn’t build to the climax well. Sadly that is where the pros stop. The story was a convoluted mess that ignored all the build-up of the first two films and focused on a new character that didn’t matter to the overall story and didn’t have much impact on the film. As a result, Halloween Ends forgot what made its two predecessors successful and told a pointless meandering tale that had its moments but ultimately disappointed.
An unfortunate end, to a horror franchise, that started way back in 1978. Halloween Ends, is an inarticulate mess, that fails to build on past films. Instead, it delivers an incomprehensible story, that makes little to no sense, save that it brings the overriding story, to a somewhat confused, conclusion. On the upside solid acting and some tense, jump scare moments but really, its not enough. In summary, a reasonable cast in a poorly scripted film, that add's little to nothing that is meaningful, to the tale of serial killer, Michael Myers.
It's a sad state of affairs when HALLOWEEN ENDS (2022) is being classed as a "bad", "terrible" or "disgraceful" motion picture and I worry for cinema as a whole if the only direction the mass want is nothing but cookie-cutter. This film is a straaaaaaange beast and it probably holds the world record for the quickest development of a relationship on screen. Bloody hell, I wanted that relationship to succeed. I'm going to be controversial here... did we need Michael Myers at all here? Maybe the 2 or so scenes we get in the sewer early into the film and that's it... maybe pass the evil on and Michael die of his wounds. The evil is contagious element worked for me and Corey (played by Rohan Campbell) was the standout character. Issues? Yes, there are some - the narration and memoir aspect weren't needed and Corey's mum... erm, I'll leave it there. But I admire this film, oh boy do I. I'd rather the risk be taken than them fall back into the same old routine. Now, before I start the Corey Appreciation Society, all I have left to say is... give a new biscuit a try.
_Halloween Ends_ does provide what it promises and that’s a proper end to the Laurie Strode saga. However, the birth of a new rushed, hot-headed, and sloppier version of The Shape seems to take precedence only to be squashed before Laurie and Michael meet one last time. Entertaining at times and frustrating at others, _Halloween Ends_ is a bloody scenic route of a conclusion that is mostly satisfying despite its underappreciated albeit risky detours. Full review: https://hubpages.com/entertainment/Halloween-Ends-2022-Review-A-Square-Shape-in-a-Round-Horror
Well there is a hewn-out pumpkin that looks ever so slightly scary... Otherwise, this is just one "Halloween" movie too many and it's only scream yells "put me out of my misery" pretty much from the start of this slow and plodding denouement to the franchise. Rohan Campbell ("Corey") is bullied by some kids who end up shoving him from a bridge. He is dragged into the storm drains by you know who and emerges a man possessed. He has also attached himself to "Allyson" (Andi Matichak) who just happens to be the daughter of long suffering "Laurie" (Jamie Lee Curtis) and after a bit of hysteric family melodrama, all of her demons are flee-flowing and we are heading, slowly and ponderously to a conclusion that the best of which has already been seen many times in the trailers. This is far too long, virtually nothing happens until the last fifteen minutes and even then, there isn't even the vaguest hint of menace or jeopardy. The production is adequate, but JLC doesn't really feature often enough - as in "Halloween Kills" (2021) to make much impact - and the whole thing is episodic and smacks of made for television. Please let it be the final instalment - this bears no resemblance whatsoever to the original 1978 introduction to "Myers" et al.
Okay, seriously, when is the real "Halloween Ends" be released? What I saw for the bulk was some lame CW-like story. I have to think at this point David Gordon Green and the writer crew are just pulling a prank. I half expected a post-credit scene with Impractical Jokers... I don't even know what to say. I had low expectations going in given how much I disliked Halloween Kills but Ends didn't even meet the lows of the lows. Really dumb. **1.0/5**
My favourite of the most recent three, if not of them all. 'Halloween Ends' gave me more than I was expecting, if I'm honest. After the solid if slightly underwhelming 'Halloween Kills' I thought this may fall further adrift but, happily, it doesn't. I think that I like this the most of all twelve entries after the original, which is probably still a jot above this one in my mind. I won't repeat myself too much as I've summed up my overall thoughts on this franchise in prior reviews of those other flicks, but in short I enjoyed this release more consistently throughout and the characters actually interested me a fair amount. Jamie Lee Curtis is, obviously, the star of the show, but Rohan Campbell is a great addition and Andi Matichak gives her best showing of these David Gordon Green films. In previous installments the cast behind (or sometimes in place of) Curtis have failed to truly entertain me, perhaps aside from the first one and (minimally) 'Halloween H20: 20 Years Later', but here I was happy to follow the scenes involving those behind Curtis. I will say that the third act lost me a little in terms of interest, though that's only ever so slightly as all in all I had a good time with this. Let's hope they end this franchise here but I highly doubt that they will - gotta catch that £!
An obsessive young woman begins to believe that she's being haunted by the ghost of her recently missing best friend.
After undergoing radical surgery for injuries from a motorcycle accident, a young woman develops a strange phallic growth on her body and a thirst for human blood—the only nourishment that will now sustain her.
Bruiser is the story of a man who has always tried to fit in. He keeps his mouth shut, follows the rules, and does what he's supposed to do. But one morning, he wakes up to find his face is gone. All the years of acquiescence have cost him the one thing he can't replace: his identity. Now he's a blank, outside as well as in, an anonymous, featureless phantom. Bent on exacting revenge, he explodes. He isn't going to follow the rules anymore.
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
After his young son dies from the negligence at a hospital, Harry Fertig takes matters into his own hands and kills the doctor, nurse and clerk responsible. Slick lawyer Roy Bleakie, looking only to win a case and not caring of the matters involved, is asked by Fertig's boss to defend him. Shocked to hear that his client wants to plead guilty, the case causes Bleakie to question his own morals by defending an honorable man.
A serial killer (Woong-in Jeong) whose modus operandi includes painting abstract designs on his victims prior to raping, killing, and eating them is captured and interrogated by a hardened district attorney (Soo-yeon Kang). When the maniac fails to provide answers satisfying both the prosecution and defense attorneys, he is hypnotized and shocking secrets begin to emerge.
An invitation to the class reunion has arrived. It was a pension in Shinshu that she visited five years ago during a tennis training camp for my high school club. One girl who was there committed suicide. Why a class reunion in such a place... Six friends and one teacher meet again after a long time. From that night onwards, a series of murders begins, with participating women being brutally raped and then killed. What was the criminal's intention? Who will be killed next? While everyone trembles in fear, the evil hand finally approaches the office lady...
The same day of their marriage, Jean's wife dies of a strange ailment in the middle of surgery. Afflicted by the loss, the young man abandons his medical studies and takes refuge in the memories of his time of courtship. At the same time that this happens, a wave of murders shakes the city with the same pattern of behavior: the victims are surgery students whose bodies have had both hands amputated.
Several murders have taken place in London. All the victims are prostitutes and the murderer is using the same techniques as Jack the Ripper. Peter Dockerman, an ex-acrobat and husband of one of the victims is the prime suspect. But whoever the killer is has cannibalistic tendencies and if Scotland Yard doesn't solve the murders quickly the evidence just might be eaten!