Finding Me 2025 - Movies (Mar 17th)
Rich Flu 2024 - Movies (Mar 16th)
Across the Line 2025 - Movies (Mar 16th)
Jersey Bred 2024 - Movies (Mar 16th)
I Love You Forever 2024 - Movies (Mar 16th)
Queer 2024 - Movies (Mar 16th)
The Glassworker 2024 - Movies (Mar 15th)
Niko Beyond the Northern Lights 2024 - Movies (Mar 15th)
Die Alone 2024 - Movies (Mar 15th)
Joe Crist 2024 - Movies (Mar 15th)
Bagman 2024 - Movies (Mar 15th)
Mystery Island Winner Takes All 2025 - Movies (Mar 14th)
Racing Mister Fahrenheit 2024 - Movies (Mar 14th)
The Quiet Girl 2024 - Movies (Mar 14th)
Warden 2025 - Movies (Mar 14th)
The Electric State 2025 - Movies (Mar 14th)
Borderline 2025 - Movies (Mar 14th)
Bill Burr Drop Dead Years 2025 - Movies (Mar 14th)
High Rollers 2025 - Movies (Mar 14th)
Anthony Rodia Totally Relatable 2024 - Movies (Mar 13th)
Mickey 17 2025 - Movies (Mar 13th)
Finding Me 2025 - ()
Rich Flu 2024 - ()
Across the Line 2025 - ()
Jersey Bred 2024 - ()
I Love You Forever 2024 - ()
Queer 2024 - ()
The Glassworker 2024 - ()
Niko Beyond the Northern Lights 2024 - ()
Die Alone 2024 - ()
Joe Crist 2024 - ()
Bagman 2024 - ()
Mystery Island Winner Takes All 2025 - ()
Racing Mister Fahrenheit 2024 - ()
The Quiet Girl 2024 - ()
Warden 2025 - ()
The Electric State 2025 - ()
Borderline 2025 - ()
Bill Burr Drop Dead Years 2025 - ()
High Rollers 2025 - ()
Anthony Rodia Totally Relatable 2024 - ()
_Halloween Ends_ is such a weird film, as a standalone movie I enjoyed it but in the trilogies totality it underwhelms and undermines. With each entry in this trilogy, the movies get farther and farther away from what Halloween is. With Ends there is no tension and no horror, there are some good kills but with nothing building up to it they felt stale. This movie also tears down Michael Meyers in a way that felt out of place in the trilogy. Halloween Kills built Michael up to be an indestructible force with the ability to withstand fire or multiple gunshot wounds, but in Ends that is flipped on its head making him weak due to the ending of the predecessor. It left me feeling like the writers had no idea what they were doing in developing this trilogy. The marketing of the movie was a total farce as well. It was building up to a final clash between Laurie and Michael, and while that does happen the majority follows a character that was just introduced (Corey Cunningham). Even though I really like the opening sequence and backstory to Corey, it had no place being centerstage in the final installment. Overall, this movie was slightly better than the sequel but still squanders the potential that Halloween (2018) had for the trilogy. If any more movies or trilogies are made in the future, please for the love of God hire a producer/writer to develop the entire series instead of piecing it together film by film. **Score:** _44%_ | **Verdict:** _Poor_
**Poor writing and a confusing story overshadowed a few shining moments and satisfying conclusions to character stories.** It’s so hard to choose whether I liked or disliked Halloween Ends. I enjoyed the resolution to Laurie Strode’s 40-year story arc and the hopeful journey for her granddaughter, Allyson. Even the final showdown between Jamie Lee Curtis and Michael Myers was satisfying, although the story didn’t build to the climax well. Sadly that is where the pros stop. The story was a convoluted mess that ignored all the build-up of the first two films and focused on a new character that didn’t matter to the overall story and didn’t have much impact on the film. As a result, Halloween Ends forgot what made its two predecessors successful and told a pointless meandering tale that had its moments but ultimately disappointed.
An unfortunate end, to a horror franchise, that started way back in 1978. Halloween Ends, is an inarticulate mess, that fails to build on past films. Instead, it delivers an incomprehensible story, that makes little to no sense, save that it brings the overriding story, to a somewhat confused, conclusion. On the upside solid acting and some tense, jump scare moments but really, its not enough. In summary, a reasonable cast in a poorly scripted film, that add's little to nothing that is meaningful, to the tale of serial killer, Michael Myers.
It's a sad state of affairs when HALLOWEEN ENDS (2022) is being classed as a "bad", "terrible" or "disgraceful" motion picture and I worry for cinema as a whole if the only direction the mass want is nothing but cookie-cutter. This film is a straaaaaaange beast and it probably holds the world record for the quickest development of a relationship on screen. Bloody hell, I wanted that relationship to succeed. I'm going to be controversial here... did we need Michael Myers at all here? Maybe the 2 or so scenes we get in the sewer early into the film and that's it... maybe pass the evil on and Michael die of his wounds. The evil is contagious element worked for me and Corey (played by Rohan Campbell) was the standout character. Issues? Yes, there are some - the narration and memoir aspect weren't needed and Corey's mum... erm, I'll leave it there. But I admire this film, oh boy do I. I'd rather the risk be taken than them fall back into the same old routine. Now, before I start the Corey Appreciation Society, all I have left to say is... give a new biscuit a try.
_Halloween Ends_ does provide what it promises and that’s a proper end to the Laurie Strode saga. However, the birth of a new rushed, hot-headed, and sloppier version of The Shape seems to take precedence only to be squashed before Laurie and Michael meet one last time. Entertaining at times and frustrating at others, _Halloween Ends_ is a bloody scenic route of a conclusion that is mostly satisfying despite its underappreciated albeit risky detours. Full review: https://hubpages.com/entertainment/Halloween-Ends-2022-Review-A-Square-Shape-in-a-Round-Horror
Well there is a hewn-out pumpkin that looks ever so slightly scary... Otherwise, this is just one "Halloween" movie too many and it's only scream yells "put me out of my misery" pretty much from the start of this slow and plodding denouement to the franchise. Rohan Campbell ("Corey") is bullied by some kids who end up shoving him from a bridge. He is dragged into the storm drains by you know who and emerges a man possessed. He has also attached himself to "Allyson" (Andi Matichak) who just happens to be the daughter of long suffering "Laurie" (Jamie Lee Curtis) and after a bit of hysteric family melodrama, all of her demons are flee-flowing and we are heading, slowly and ponderously to a conclusion that the best of which has already been seen many times in the trailers. This is far too long, virtually nothing happens until the last fifteen minutes and even then, there isn't even the vaguest hint of menace or jeopardy. The production is adequate, but JLC doesn't really feature often enough - as in "Halloween Kills" (2021) to make much impact - and the whole thing is episodic and smacks of made for television. Please let it be the final instalment - this bears no resemblance whatsoever to the original 1978 introduction to "Myers" et al.
Okay, seriously, when is the real "Halloween Ends" be released? What I saw for the bulk was some lame CW-like story. I have to think at this point David Gordon Green and the writer crew are just pulling a prank. I half expected a post-credit scene with Impractical Jokers... I don't even know what to say. I had low expectations going in given how much I disliked Halloween Kills but Ends didn't even meet the lows of the lows. Really dumb. **1.0/5**
My favourite of the most recent three, if not of them all. 'Halloween Ends' gave me more than I was expecting, if I'm honest. After the solid if slightly underwhelming 'Halloween Kills' I thought this may fall further adrift but, happily, it doesn't. I think that I like this the most of all twelve entries after the original, which is probably still a jot above this one in my mind. I won't repeat myself too much as I've summed up my overall thoughts on this franchise in prior reviews of those other flicks, but in short I enjoyed this release more consistently throughout and the characters actually interested me a fair amount. Jamie Lee Curtis is, obviously, the star of the show, but Rohan Campbell is a great addition and Andi Matichak gives her best showing of these David Gordon Green films. In previous installments the cast behind (or sometimes in place of) Curtis have failed to truly entertain me, perhaps aside from the first one and (minimally) 'Halloween H20: 20 Years Later', but here I was happy to follow the scenes involving those behind Curtis. I will say that the third act lost me a little in terms of interest, though that's only ever so slightly as all in all I had a good time with this. Let's hope they end this franchise here but I highly doubt that they will - gotta catch that £!
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.
A deranged media mogul is staging international incidents to pit the world's superpowers against each other. Now James Bond must take on this evil mastermind in an adrenaline-charged battle to end his reign of terror and prevent global pandemonium.
When a Halloween prank goes wrong, it unleashes a creature that will hunt each of the participants down and kill them, unless they can figure out how to transfer the curse to someone else.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.
Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.