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J.D. Salinger didn’t write to be read – or seen. The author of The Catcher in the Rye stopped publishing in 1965 – but continued writing until his death 45 years later –, and long before that he had made up his mind to refuse to allow film adaptations of his work (a non-acceptance that has miraculously survived him). As a result, the lazy and the uncreative have had to find alternative avenues for profiting from Salinger's work. The most recent example of this is My Salinger Year, a drama written and directed by Philippe Falardeau, based on Joanna Rakoff's memoir of the same name. In 1995, Joanna (Margaret Qualley), an aspiring writer and poet, moves to New York, where she gets a job at one of New York's oldest literary agencies. Unbeknownst to Joanna, the agency looks after the interests of notoriously reclusive writer J. D. Salinger (additionally, she moves into an apartment with her new boyfriend, who is writing a novel, which, when finished, fits perfectly inside a thin manila envelope; I’d venture that perhaps the envelope contains a flash drive with the book in it, but this is the mid-90s, after all). Joanna's duties include responding to Salinger's voluminous fan mail. According to agency policy, Joanna replies with a generic formula explaining that Salinger does not read fan letters (and if the letters were anything like the ones in the movie, he wasn't missing much – and neither were we). She, however, becomes tempted to write back something with a little more substance to certain Salinger fans – though not having read any of his work (not even Catcher), it’s hard to tell what led her to believe she was qualified to become Salinger’s self-appointed mouthpiece. The only reason the writer's last name appears in the title of this movie is to lure unsuspecting viewers into watching it in hopes of learning something valuable about Salinger. As it turns out, though, the plot has little or nothing to do with the author (and it isn’t even clever enough to be a pastiche like Igby Goes Down) except a perverse eagerness to pry into and exploit his two most valued possessions: his privacy and his art. Consider this: in May 1986, Salinger discovered that British writer Ian Hamilton intended to publish a biography that made extensive use of letters Salinger had written to other authors and friends. Salinger sued to stop publication of the book, and in Salinger v. Random House, the court ruled that Hamilton's extensive use of the letters, including quoting and paraphrasing, was not acceptable as the author's right to control publication overrode the right of fair use. It doesn't take a genius to conclude that Salinger wouldn't be much happier with a book and film based on correspondence that he didn't read – let alone replied to –, starring a character who has deliberately avoided the author’s oeuvre, because she wants to be “provoked,” not “entertained.” All things considered, My Salinger Year is neither provocative nor entertaining.
At 11:30pm on October 11, 1975, a ferocious troupe of young comedians and writers changed television forever. This is the story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live.
Summer, 1984: 30 years after Duane captained the high school football team and Jacy was homecoming queen, this Texas town near Wichita Falls prepares for its centennial. Oil prices are down, banks are failing, and Duane's $12 million in debt. His wife Karla drinks too much, his children are always in trouble, and he tom-cats around with the wives of friends. Jacy's back in town, after a mildly successful acting career, life in Italy, and the death of her son. Folks assume Duane and Jacy will resume their high school romance. And Sonny is "tired in his mind," causing worries for his safety. Can these friends find equilibrium in middle age?
At his father's request, Aditya attends a law college in the coastal metropolis of Visakhapatnam, although he actually wanted to become an engineer. On the first day he meets the beautiful Anjali. Over time, the female student slowly begins to become interested in the strange newcomer, who acts nice and friendly but doesn't seem to be interested in anything else. The college is notorious for its disobediently and disorderly students. It's not the professors who are in charge on campus, but rather the student leader Satya. He is also in love with Anjali and sees Aditya as a competitor who needs to be put in his place. So Aditya faces multiple problems as he tries to reform the unruly students while dealing with his terrible past that everyone doesn't know about.
Five teenage girls forge a strong friendship after a chance encounter. Their carefree days take a risky turn, testing their loyalty. Crossing a line puts their bond to the test, leaving their future uncertain. What'll their ending be?
The story of J.M. Barrie and his relationship with the Llewelyn-Davies family. Barrie writes PETER PAN for the five boys, and later adopts George, Jack, Peter, Michael, and Nicholas.
In 1934, Frank Hamer and Manny Gault, two former Texas Rangers, are commissioned to put an end to the wave of vicious crimes perpetrated by Bonnie Parker and Clyde Barrow, a notorious duo of infamous robbers and cold-blooded killers who nevertheless are worshiped by the public.
Emily finds herself disconnected from the world around her. She goes on a journey through her memories and relives different moments from her life. Emily must look to her past so that she may fully embrace the present.
In this raw true story of faith and redemption, college student, Riley, runs from her painful past of abuse and religious hypocrisy. However, God has other plans for Riley when an unforeseen circumstance compels her to confront the very source of her anguish – her estranged mother. As she unravels the layers of her painful childhood, Riley discovers the transformative power of forgiveness and the strength to break free from the chains of her past.
Married couple Ryan and Sebastian are professional love and relationship therapists, and the stars of the hit television series 'Where Is The Love.' Unfortunately, their love didn't last and they have separated. However, in fear of losing their clients and damaging their reputations, they decide to keep their split a secret and operate as though they are a happily married couple.
Amidst a backdrop of growing violence and intimidation, independent cab drivers struggling against a consolidated juggernaut rally around hot-tempered Matt Nolan. Nolan is determined to keep competition alive on the streets, even if it means losing the woman he loves.
A young bureaucrat for the Tennessee Valley Authority goes to rural Tennessee to oversee the building of a dam. He encounters opposition from the local people, in particular a farmer who objects to his employment (with pay) of local black laborers. Much of the plot revolves around the eviction of a stubborn octogenarian from her home on an island in the river, and the young man's love affair with that woman's widowed granddaughter. Preserved by the Academy Film Archive in partnership with The Film Foundation.
