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A Hollywood biographical film about a survivor's experience of the Armenian Genocide. Arshaluys (Aurora) Mardiganian plays herself in the film which is based on her published memoirs. It is thought to be the first film about made about genocide. All known complete copies of the film have been lost. A restored and edited 24-minute segment of the historic motion picture was released in 2009 by the Armenian Genocide Resource Center of Northern California. It is based on a rare surviving reel of film edited in Soviet Armenia.
A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.
A flirtatious young woman takes a job in a busy office, where her presence is terribly disruptive. None of the men in the office can concentrate on their jobs while her charms are on display. Of course, she sets her eye on the one man who seems oblivious to her.
Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences. (stumfilm.dk)
A press sheet printed in Exhibitors Herald and Moving Picture World in 1928 put forth the suggestion that “people in the need of a good hearty laugh should take this opportunity of getting it” by seeing a newly released comedy by Warner Bros., suggestively entitled Beware of Married Men. Since director Archie Mayo (The Petrified Forest) helmed this feature during the dying days of the silent era, the studio sought to enhance its commercial viability by embellishing the shot-silent picture with a synchronized music and effects soundtrack using the Vitaphone sound-on-disc system. Ultimately, these efforts went for naught, as the picture failed at the box office and quickly disappeared from theaters.
Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.
Hoping to consolidate their adjoining ranches, Don Fernando and Don Diego betroth their children, Ramón and Dolores, although Ramón is in love with Suzanna, the daughter of a peon on his father's ranch, and Dolores is interested in Pancho, a toreador. When Suzanna learns that she was kidnapped in infancy and is really Don Diego's daughter, she keeps silent; but Ramón finally rebels and steals Suzanna from the altar as she is about to marry Pancho. There are explanations, Ramón marries Suzanna, and Dolores marries Pancho. Suzanna (1923) has been mastered from a good quality but incomplete 35mm print.
Carl Behrend, son of a wealthy businessman, marries Pauli Arndt, daughter of a pacifist professor. When World War I breaks out, Carl is drafted. Pauli and her family and friends are left behind to experience the suffering which befell civilians during the war. Her luck worsens when her father is dismissed from his professorship for teaching that war is evil. Her father argues violently with Carl's father, and degradation and despair descend on Pauli and her family as they await Carl's return from the front.
A young, beautiful prostitute named Sadie Thompson arrives on the South Pacific island of Pago Pago looking for honest work and falls for Timothy O'Hara, an American sailor who is unfazed by her unsavory past. However, Mr. Davidson, a missionary who arrived on the island at the same time, aims to "save" Sadie from her sinful life and petitions to have her separated from her beau and deported back to San Francisco.
The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.