Republic of Food

WHAT IF, in the unforeseen future, when there are not enough boys in Singapore? If Girls have to serve National Service also, what will happen? The story will focus on the first batch of female recruits, a bunch of Gen Z teens and youngsters with different backgrounds and education. As they trained under the fierce leadership of Sergeant Chow and Lieutenant Roxanne, they find themselves being pushed to the limit of their potential. Together, they overcome hardship and initial resistance to serve NS and discover newfound abilities, using it to solve and mend relationships in their personal life as well.

Ah Bee goes on a comedic odyssey through Tiong Bahru Social Club, a data-driven project to create the happiest neighborhood in the world. Little by little, his encounters with the neighborhood's residents reveal the absurdity of life.

Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.

Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.

Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.

An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.

An aspiring filmmaker, who is also down on luck, goes to Singapore to meet a producer, but what follows is misadventure after misadventure, with a dash of romance thrown in.

The fourth addition to the franchise sees the return of the army boys including Sergeant Ong, Lobang, Ken Chow and Aloysius, joined by a new female officer, as they are called back for in-camp training under the Armoured Formation of the Singapore Armed Forces. Hilarious situations happen when they are back training together and their military roles reversed. Their brotherhood is also put to the test when new enemy threats arise.

A musical, all-singing, all-dancing, attack on censorship in Singaporean movies

Kok Pin, Boon Hock and Terry are classmates in "EM3" stream. In Singapore, that means that at the age of 12, the government has decided that they are not as academically inclined as their peers. Kok Pin is creative and a born artist but his parents would rather he focus on his Maths and Sciences. Boon Hock comes from a low-income family and needs to balance school and helping out at the food stall. Terry, a spoilt brat is just too lazy a student. While the three children suffer from the pressure of school, their parents have another set of problems - their jobs and careers.

In an alternate timeline, Ken, Lobang and Wayang King are transferred to the Naval Diving Unit (NDU) and have to overcome obstacles and personal issues to grow as people.