Villa Amore 2025 - Movies (Jun 22nd)
A Desert 2024 - Movies (Jun 22nd)
Joh Last King Of Queensland 2025 - Movies (Jun 21st)
Marching Powder 2025 - Movies (Jun 21st)
The Woman in the Yard 2025 - Movies (Jun 21st)
Bulletproof A Lesbians Guide to Surviving the Plot 2024 - Movies (Jun 21st)
Delta Dawn 2024 - Movies (Jun 21st)
Bring Them Home 2024 - Movies (Jun 21st)
Its All Gonna Break 2024 - Movies (Jun 21st)
(Iconic) 2024 - Movies (Jun 21st)
24 Hours to D-Day 2024 - Movies (Jun 21st)
Ghost Game 2024 - Movies (Jun 20th)
28 Years Later 2025 - Movies (Jun 20th)
Universal Language 2024 - Movies (Jun 20th)
Noahs Arc The Movie 2025 - Movies (Jun 20th)
Frozen The Hit Broadway Musical 2025 - Movies (Jun 20th)
Grenfell Uncovered 2025 - Movies (Jun 20th)
KPop Demon Hunters 2025 - Movies (Jun 20th)
Alma and the Wolf 2025 - Movies (Jun 20th)
Bonjour Tristesse 2024 - Movies (Jun 20th)
The Three Investigators and The Carpathian Dog 2025 - Movies (Jun 19th)
WWE SmackDown - (Jun 22nd)
999- On the Front Line - (Jun 22nd)
Capitals Summertime and Jingle Bell Balls - (Jun 22nd)
Border Force- Americas Gatekeepers - (Jun 22nd)
UKs Strongest Man - (Jun 22nd)
Spring Break Murders - (Jun 22nd)
Our Unwritten Seoul - (Jun 22nd)
MotoGP Unlimited - (Jun 22nd)
GOOD BOY - (Jun 22nd)
Lazarus - (Jun 22nd)
Family or Fiance - (Jun 22nd)
Beer Budget Reno - (Jun 22nd)
Moving Houses NZ - (Jun 22nd)
LEGO Masters - (Jun 22nd)
The Never Ever Mets - (Jun 22nd)
Dancing with the Stars - (Jun 22nd)
#Somebodys Son - (Jun 22nd)
The Walking Dead- Dead City - (Jun 22nd)
All Elite Wrestling- Collision - (Jun 22nd)
The Chosen - (Jun 22nd)
_Crazy Rich Asians_ is not really my type of movie, I don't go in much for romcoms, and I don't think I'm fully on board with some of the messages it's trying to put out there. But I can appreciate that it's very well made, culturally very important, and even kind of endearing. _Final rating:★★½ - Not quite for me, but I definitely get the appeal._
Crazy Rich Asians expends its expensive mahjong skills to produce a hilarious heartfelt insight into a familial cultural clash. Romantic comedies. The amalgamation of two genres that exercise the very worst tendencies of Hollywood’s mechanical repetitions. Modern romcoms follow the same formulaic narrative structure and embed the same interpretive clichés. Y’know what I’m talking about. Boy and girl fall desperately in love, something/someone comes between them, they fight, break-up and embrace each other again, to the accompaniment of Coldplay or Ed Sheeran, when they realise that “they are the one”. All the same mundane clichés that fail to exert the writing capacity to take those mechanisms and overload them with ferocious energy. Well, Chu’s adaptation of the eponymous best-selling novel battles that. He consumes the cliché-ridden narrative structure of a romcom and transforms it into a cultural depiction of Asian traditions, juxtaposing the values of American immigrants, whilst still bashing the familiar beats of “boy meets girl”. And let me tell you now, this is without a doubt, the best romcom since ‘Bridesmaids’. I loved it! Rachel is invited by her new boyfriend Nick to Singapore to meet his family who are attending a wedding, but without realising Nick’s family is one of the wealthiest, infamous and superficial in the country. Chu tackles several poignant themes and morals within this two hour romantic comedy, whilst retaining a sufficient amount of investable character development and hilarity. Yes, the underlying story between Rachel and Nick is a predictable ordeal, but much like any film within the genre, acts as the backbone for the additional qualities. One of them being the exploration into Asian culture, particularly the continent’s cuisine, highlighting the traditions that contrast with the typical audience member. I cautiously read somewhere, that Crazy Rich Asians was the “whitest romcom featuring a non-white cast”, which is an absolute barbaric statement to form. The predominant cast and crew were all of Asian descent. Just because the film was confounded within the Hollywood system, does not discredit the contents of its insight. Overtly politically correct viewers bumbling about a non-issue. I’m sure ‘Black Panther’ didn’t receive the same criticism from them. Anyway! I digress. The point is, Chu allows the illustration of traditions and values to be accessible for everyone. However it’s not just a cultural clash. Wealth and public image are two contributing factors to the spiky relationship between Rachel and and Nick’s family. Yet neither one of them are viewed as the antagonistic force of the plot. Every character is treated as a delicate human, with sufficient back story and development, to warrant their choices and actions. A sub-plot involving an affair could’ve been a “how dare you!? We’re over!” situation, but Chu manages to present the reasoning of the immoral act and add that subtle layer of empathy. You understand. You feel. You reflect. And there are several poignant moments throughout, like this, that elevate the contextual values that are insightfully divulged. Of course though, Awkwafina provides the majority of laughs, demonstrating the creative humour of writers Chiarelli and Lim whilst showcasing her own excellent comedic timing. Conversely, Wu and Yeoh focus on levelling the comedy with romance and drama respectively. They do so with blinding results. Expressing a variety of emotions, participating in tantalising chemistry and bringing their A-game (their...acting game...). The lavish ‘Great Gatsby’ parties and genuinely beautiful weddings, that performed a rendition of my all-time favourite romantic song “Can’t Help Falling In Love With You” by Elvis “Hound Dog” Presley, nearly brought a tear to my eye with the astounding production design. Minor nuances such as the pop soundtrack, including Coldplay, sung in Mandarin, dumplings being everything and my eternal yearning for marriage, rounded off the rough edges of Crazy Rich Asians smoothly. It is absolutely refreshing to see a high-ticketed American produced romcom have an entirely Asian cast and crew, granting several new opportunities for those involved. It is absurdly reassuring to witness a cliché-ridden and formulaic narrative of the genre be fully exploited in a wonderfully entertaining story that harnesses every angle available. Yet most importantly, it’s a colossal piece of entertainment that can legitimately be enjoyed by everyone. Crazy fun, rich in characters and quintessentially Asian. More please!
**Crazy Rich Asians doesn’t reinvent the rom-com formula but adds rich characters, cultures, and locations taking this rom-com to the next level.** Crazy Rich Asians is an incredibly well-done rom-com that follows the typical rom-com blueprint but diverges by exploring cultures other than the frequent American setting. Learning more about Singapore and its people and customs added an intriguing layer to the film. Crazy Rich Asians boasts an absolutely stacked cast with Constance Wu, Henry Golding, Michelle Yeoh, Gemma Chan, Awkwafina, Ken Jeong, and more. With all that talent, it’s no wonder that Crazy Rich Asians is a top-notch romantic comedy with beautiful locations, hilarious laughs, heartfelt moments, and more.
To restore his family's lost wealth, a young Boston lad stows away on a ship bound for the California Gold Rush. When their very proper butler gives chase, all roads lead to nonstop adventure, wild and woolly characters, and a lucky punch that leads to a bonanza of belly laughs!
Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.
In the midst of organizing his brother Ben's wedding, Shel, a gay party planner, decides to go on strike for equal rights when he learns that Ben is behind a political speech against gay marriage.
In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can't teach him: how to skate, how to flirt, and how to love your mom.
The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.
Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
Andy moves to New York to work in the fashion industry. Her boss is extremely demanding, cruel and won't let her succeed if she doesn't fit into the high class elegant look of their magazine.