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Weekends with Jonathan Capehart - (Sep 1st)
Penn and Teller- Bull - (Aug 31st)
Match of the Day - (Aug 31st)
The Beat with Ari Melber - (Aug 31st)
Michael Portillos Long Weekends - (Aug 31st)
The Voice UK - (Aug 31st)
Casualty - (Aug 31st)
The Hit List - (Aug 31st)
Saturday Kitchen Live - (Aug 31st)
The Sherry Vine Variety Show - (Aug 31st)
Symons Dinners Cooking Out - (Aug 31st)
Camp Wannakiki - (Aug 31st)
We Three Queens - (Aug 31st)
Ms. Pat Settles It - (Aug 31st)
CrimeCam 24-7 - (Aug 31st)
Lucky - (Aug 31st)
James Martins Saturday Morning - (Aug 31st)
Made in Korea- The K-Pop Experience - (Aug 31st)
Lets Make a Deal - (Aug 31st)
The Chris McCausland Show - (Aug 31st)
Wow, but this is all over the place. Based very loosely on the Dickens' character from his "A Christmas Carol" story, Will Ferrell is the Ghost of Christmas Present who now works for "Jacob Marley" (Patrick Page) trying to save irredeemable souls from purgatory. This is where Ryan Reynolds comes in. He is "Clint" - a successful influencer who is about as ruthless for his clients as it possible to be. "Present" concludes that if he can save him, then he can make a real difference to the future (despite the fact that he appears, already, to have rescued Dolly Parton!). Anyway, this is where the story gets a little more interesting. Rather than cowering in fear at his apparitions, "Clint" decides to turn the tables a bit and before we know it, he is challenging his protagonist to justify what he is doing and why. Unfortunately, though - and despite the presence of the usually reliable Octavia Spencer - the whole thing just peters out all too quickly with some predictably slapstick humour and a few rather dull piano/guitar ballads from an out-of-sorts Messrs. Pasek and Paul that have some potent lyrics now and again, but those are largely overwhelmed by the fact that Reynolds cannot sing and Ferrell fares only slightly better on that front too. It also has no idea how to end, so it has three or four goes by which time I was a bit bored by it all. It's been quite a while since I noticed people leaving a cinema screening, but quite a few abandoned this. Nothing beats the Albert Finney/Leslie Bricusse "Scrooge" (1970) for me, and though this iteration of the timeless story might work better on stage - much of it is very theatrically stylised in nature (especially the dance numbers) - I am just going to stick with that.
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition/ "Spirited efficiently applies a Christmas formula. Harnessing the undeniable, palpable chemistry between Ryan Reynolds and Will Ferrell, along with original holiday tunes filled with the typical humor from the actors, Sean Anders delivers a musical entertaining enough to entertain the average spectator. Not all the songs succeed, nor their timing in the story is always the right one, and the generic narrative doesn't exactly help with the surprise factor. Still, I'm happy enough with the essential message that people can, in fact, change for the better." Rating: B-
A musical love letter and tribute to the victims in horror films that didn’t make it to the sequel. In an anthemic song the dead unite across genres and time.
The story details the misadventures of two itinerant songwriters named Duke (Crosby) and Cliff (Foy) as they try to survive Army boot camp. Intending to boost the morale of their fellow draftees, our heroes stage a big musical show, which they eventually hope will graduate to Broadway.
In this musical, a con man makes a good living by promoting bogus charity shows. He gets the communities all revved up and then skips town with all their money. But then he meets three earnest people wanting to garner financial support for an orphanage. This time the con man's loyal assistant finally catches on to the wicked scam and turns him in to the police. Meanwhile, the newly reformed assistant and one of the charity workers fall in loves.
Bandleader Tim Hartley's father objects strongly to his son's occupation choice and packs him off to Hawaii to manage the family hotel holdings. This proves to be a wrong move as Hawaiia has more bands than it does pineapples.
Kate is a young woman who has a habit of making bad decisions, and her last date with disaster occurs after she accepts work as Santa's elf for a department store. However, after she meets Tom there, her life takes a new turn.
Alex and Poppy have nothing in common. She’s a wild child; he wears khakis. She has insatiable wanderlust; he prefers to stay home with a book. And somehow, ever since a fateful car share home from college many years ago, they are the very best of friends. For most of the year they live far apart—she’s in New York City, and he’s in their small hometown—but every summer, for a decade, they have taken one glorious week of vacation together.
When a struggling comedian reluctantly returns home for the holidays, not only must she deal with her eccentric family, but she ultimately faces a life-changing decision about her special-needs brother.
A raucous black comedy about a gang of Grimsby Trawler-men who carry out the heist of a lifetime.
Universal cowboy star Rod Cameron plays Geoffrey, conductor of a high-toned symphony orchestra. Secretly harboring the desire to become a swingin' jazz trumpeter, Geoffrey takes a job at a "hot" Broadway nightclub. Here he meets and falls in love with café songstress Donna (Frances Raeburn), who has led her family to believe that she's studying for a classical-music career. Meanwhile, a comedy-relief romance develops between Geoffrey's snooty valet Chumley (Arthur Treacher) and Donna's best pal Pat (Jacqueline De Wit). For those not interested in the plot (what there is of it), Swing Out, Sister includes specialty numbers by organist Selika Pettiford and the Lou Diamond Quintet.
In this musical, a sharp witted press agent teams up with an unemployed chorine and dubs her "Miss Manhattan" to promote a cheap line of clothing. To escort her about town, the agent invents a "Mr. Manhattan." He then has them fake a marriage. When he realizes that he is in love with his creation, the agent promptly fires "Mr. M" and takes her to the altar personally. Songs include: "Ma, He's Making Eyes At Me," "Unfair To Love," and "A Lemon In The Garden Of Love."