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Jeongnyeon- The Star is Born - (Nov 18th)
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Ripping Yarns! Reap the Wild Wind is directed by Cecil B. DeMille and is adapted collectively to screenplay by Alan Le May, Charles Bennett and Jesse Lasky Jr. from a Saturday Evening Post story written by Thelma Strabel. It stars John Wayne, Ray Milland, Paulette Goddard, Raymond Massey, Robert Preston, Susan Hayward and Lynne Overman. Music is by Victor Young and cinematography is shared between Victor Milner and William V. Skall. The Florida Keys in the 1840s, hurricanes are rife and the salvagers of Key West rush to the frail schooners to claim salvage rights... Whilst not up with the best of DeMille's epics, this is however a joyous romp of a high seas adventure. A top notch cast line up for some period flavours that is unfurled in glorious over saturated Technicolor. We have a rocky love triangle, dastardly villains with dishonesty poring from every bead of sweat, sword play, fisticuffs, fogs and a giant squid! and it even has time to be a court room drama as well. In short it is a ripping sea faring yarn. The budget was considerable and DeMille ensures it was lavishly spent, and thus the pic was a box office winner and an Academy Award Winner for special effects. It's a touch too long, and gets a little bogged down in the mid-section, but entering the home straight it pulls itself back up and ends briskly, with Duke Wayne splendidly rounding off an interesting characterisation. 7/10
The last twenty minutes or so go some way to redeeming this otherwise rather meandering romantic drama that has a cast that looks good on paper but is much less effective on screen. John Wayne ("Jack Stuart") is the captain who has just lost his ship after it was wrecked on a dangerous reef by men allegedly working for Raymond Massey ("King Cutler"). His boss Walter Hampden ("Commodore Devereaux") is less than impressed and Duke is demoted and ordered to take Ray Milland ("Tolliver") to Key West. Meantime, the feisty Paulette Goddard ("Loxi") who is all but engaged to "Stuart" arrives on the scene and straight onto Milland's radar... Now Wayne has got to prove his ship was deliberately sunk and keep his girl from his duplicitous rival. The story is pretty procedural and lame, to be honest - Goddard brings some charm to the film, but Milland (and his ventriloquist doggy act) gets a bit wearisome after a while and neither Wayne nor the usually sinister Massey are anywhere near their best. It features some good underwater antics towards the conclusion but the story is just a bit too weak and predictable. Colourful, though...and it's got a monkey!
Moon Child follows a group of childhood friends as they advance in a futuristic criminal underworld. Sho feels he is doomed to walk in his idol Kei's footsteps as a vampire with the gift of eternal life and the curse of blood thirst. Over time, their tight friendship becomes corrupted because of their rivalry and love for the same woman.
In late 19th Century Hong Kong the British may rule the land, but the pirates rule the waters. One Coast Guard officer is Dragon Ma, who is determined that his beloved Coast Guard will not be made a fool of.
In late 19th-century England, Jude aspires to be an academic, but is hobbled by his blue-collar background. Instead, he works as a stonemason and is trapped in an unloving marriage to a farmer's daughter named Arabella. But when his wife leaves him, Jude sees an opportunity to improve himself. He moves to the city and begins an affair with his married cousin, Sue, courting tragedy every step of the way.
A french writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.
For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas' troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.
Based on a Anton Chekhov short story, this slight tale has some good moments as the drama of a young boy's journey unfolds. The lad comes from peasant stock, and one day his family decides it would be best for him to go live with his uncle in the city. The only problem is that the city is all the way across the Russian steppes, and at this time in history, that arduous journey could only be undertaken by horse and carriage. Reminiscent of the American pioneer wagon trains heading West, the tale lacks any attacks from hostile forces but is filled with charming vignettes. In one part of the journey, the boy comes across some fishermen along a river, harpooning their catch for the day. In another segment, he is entertained when some folk dancers do a lively show. But in general, it is too long and unmomentous a journey to hold attention well for nearly two hours.
In 19th century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.
In 1840s New York, the uneventful and boring days of the daughter of a wealthy doctor come to an end when she meets a dashing poorer man — who may or may not be after her inheritance.
In France of the late 19th century, the wife of a wealthy general, the Countess Louise, sells the earrings her husband gave her on their wedding day to pay off debts; she claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, & her new lover, the Italian Baron Donati.
Two orphans set out to claim their inheritance - a 400 acre plot of land in Salem Oregon. To Do so they must cross the rugged snow covered Rocky Mountains in the year 1876.