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I was really quite looking forward to this. A sort of grown up "Wallace and Gromit" set amongst the cutthroat Estonian dairy industry. Sadly, though, after quite a strong and explosive opening twenty minutes, it all degenerates into a rather unfunny, puerile even, series of escapades from Grandpa and two of his grandchildren who are in search of their escaped cow. Now, if you don't milk a cow every morning then there is the risk that it's udder will swell to bursting point - and that's when we get the dreaded "lactopalypse" - and nobody wants that. On their quest through the forest to retrieve their animal they encounter some hippies having a festival (looks like it's being compered by Uma Thurman), a randy tree god and the hungriest bear in the land - but can they get a-milking in time? Added to their challenge is the fact that the previous milker - who could not avert an earlier catastrophe - is in hot pursuit with his gang of chainsaw-wielding labourers hell bent on decapitating the evil beast. There are some fun, earthy, touches to the humour and the vodka-charged tractor might just save the day raises a smile, but I found the rest of it a bit repetitive. The ending takes far too long and is, I thought, just a bit tacky. It has a sort of smut to it that might have been funny in the 1960s or 1970s but now, it's just a little cringemaking. The animation is good though - reminded me a bit of Tony Hart's "Morph", and the story certainly doesn't hang about so I'd definitely recommend that you give it a go - I was just a bit disappointed.
Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.
Follow the animated journey of an Indigenous photographer as she travels through time. The oral and written history of her family reveals the story — we witness the impact and legacy of the railways, the slaughter of the buffalo and colonial land policies.
An unlucky man’s problems immediately dissolve when he gets a bottle of “Spray Away” – that is, until he becomes a lead suspect in multiple disappearances.
After a car crash sends repressed cartoonist Stu into a coma, he and the mischievous Monkeybone, his hilarious alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu's body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!
Consisting of two parts: ‘Revelations’, Bill Hicks’ last live performance in the United Kingdom made at the Dominion Theatre; and a documentary about Hicks’ life ‘Just a Ride’ featuring interviews with friends, admirers, and family.
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie's world turns to madness, he tries to counter it with further insanity, with dire consequences.
A spoof of disaster films, an asteroid is coming towards earth and Harry Bottoms is in charge of saving us all...again...
Five of the country's best stand-up comedians, Michael Schøt, Tobias Dybvad, Brian Mørk, Anders Fjeldsted, and Christian Fühlendorff, perform together in the show "De udvalgte" (The Chosen Ones). Each with their own style, the five comedians deliver plenty of sharp opinions, dark humor, bizarre whims, embarrassments, insults, and, not least, a good dose of self-irony.
A blue cat named Buxton is found in the Magic Garden. With help from the Blue voice (played by Fenella Fielding), Buxton enters the ruins of the old treacle factory where he is crowned king after correctly identifying the colours of seven doors (coloured different shades of blue). Buxton throws all the characters of The Magic Roundabout except Dougal into prison and steals Zebedee's magic moustache.
Mankind can no longer reproduce because of gene manipulation aimed at making life longer. The clones ruling the bottomless underworld may have become fertile. Parton is selected to go on a mission through a subterranean labyrinth crawling with monsters to secure humanity's future.
