찬실이는 복도 많지

Geum Ja has been living alone since her husband and sister passed away. Lately, she keeps hearing her late sister's voice around the house. To find out her sister's message, she enlists the help of a television program that investigates supernatural happenings. Once the TV crew is there, however, the ghostly sounds disappear, and conflicts develop between Geum Ja and the crew. Just when the crew is about to pack up and leave, they record a woman's voice.

Even though Sam Wheat, the successful investment counsellor, still finds it difficult to express his deeper feelings for her after all these years, his young potter girlfriend, Molly Jensen, is the love of his life. However, a curious case of a systematic discrepancy will prepare the ground for a hideous urban homicide in one of Manhattan's dark alleys, trapping, seemingly forever, the unfortunate deceased's immortal soul in the realm of the mortals. With the condemned spirit unable to interact with the physical world-and as Molly's life, too, is in grave danger-Sam will have to turn to the spiritual medium, Oda Mae Brown, to warn and protect her. Can Oda and the ghost settle the unfinished business in time?

Minayo plays the legendary "Siren," a ghost who lives forever by sucking men's life force. She skillfully seduces men using her body as bait, and those who fall prey to her turn into mummified corpses.

Disappearances... What if a magical fairy beyond human knowledge is lurking in the shadows of incidents that could occur in our daily lives? Mysterious disappearances and slaughters in a seemingly peaceful and ordinary port town are so bizarre that all the bodies found have been mummified. Detective Junpei investigates this mysterious case. His father, who was also a detective, disappeared 20 years ago while investigating another strange case.

Suddenly, men abandon their jobs and families and come to the sea for no reason at all. Their disappearance was connected to an incredibly powerful force. One chilly day, when Cassiopeia shines strangely, two men suddenly arrive at the beach house "Kaijotei," asking to be allowed to stay here. The two men, who did not know each other and had no relation to each other, were drawn to the same beach for unknown reasons. Kazuhiko and Ayako, two lovers who run a beach pavilion, have no choice but to accept the two men, who are not moving even with their leverage, since it is out of season and there are no bathers. A few days later, a new man named Furuta arrives. Furuta is an expert in astronomical observation, and he senses something unusual in the way the stars have been shining these past few days.

An American family moves in to the Canterville Chase, a London mansion that has been haunted by ghost Sir Simon De Canterville for 300 years.

Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.

A gothic allegory reinventing horror movie conventions while exploring the cyclical nature of life expressed through the romantic relationship between a lonely widow and her restless husband.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Nora is 15 years old. Her parents died when she was young and now she lives with Anders and Karin and their son Dag. They move into an old apartment in an old house in Enköping. Behind a wall they find some old items from people who lived there a long time ago. They also discover that their apartment is haunted by a ghost. Together with Dag, Nora tries to find out more about the people who lived there.

Carmen, a maid, steals a locket belonging to the Aragon princess Maria Theresa and sells it to Gaines, a New York art collector, not knowing that the locket contains the clue to the Aragon family fortune's whereabouts. Based on the 1909 Broadway play of the same name by Paul Dickey and Charles W. Goddard.