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_**A traveling woman stuck on a rural backroad with her “weird” Uber driver**_ A socially awkward Michigan Uber driver (Max Topplin) picks up a weary young woman at the airport (Jordan Hayes) to take her to her father’s farmhouse, but the vehicle mysteriously breaks down in the backwoods, where uncanny things start happening. What’s going on? Written & directed by Michael Nader, “The Toll” (2020) is a technically well-made mystery/horror Indie that borrows the basic plot of “Wind Chill” (2007), yet isn’t as good or moving. If you like these kinds of flicks give it a try, but you’ll probably be disappointed. While the two main characters are interesting enough and there’s a sense of creepiness to the situation, not to mention the core mystery is intriguing (I don’t want to spoil anything), the increasing illusions were tedious to me. What really puts the nail in the coffin is a minor twist at the end that contradicts everything the viewer is led to believe about something up to that point (I’m being intentionally vague). “Wind Chill” had a minor twist as well, but it was organic to the story. This one just feels wholly contrived and you’re left feeling duped in an eye-rolling way. At least this was my experience. Nevertheless, I liked the filmmaking, the plot, the spooky sylvan ambiance and the cast. Less illusions, no artificial twist and more focus on the paranormal mystery would’ve put this in the ballpark of “Wind Chill.” The film runs 1 hour, 20 minutes, and was shot in Ontario, Canada. GRADE: C-
Vera, Ray, and Sam, a seemingly normal family, are haunted by more than mere ghosts. The lingering horror of their past threatens their ability to function as a loving family until they become enlightened by a mystical encounter. From that moment on, they're thrust into a horror worse than anything they've ever experienced. Personal demons manifest and tear the family apart from the inside out as they come to terms with their past.
When Tyler and his childhood buddy, Jake, recommend a drug-motivated start to their Spring Break. Inviting their other friends Allison, Mellissa and her short-tempered boyfriend Danny to a drug-filled, chaotic, and killer start their "Sprang Gang" summer. With an extra pill on their palette, awaits an invitation to an innocent, clueless classmate, Melvin to join them on their risky start to their Spring Break plans. With visions and a bad high leads a dangerous, and evil demon hunting down anyone and everyone who consumes its blood-covered death sentence... Who will survive its hunt and who will suffer for their deadly decisions?
A witch put to death in 1692 swears vengeance on her persecutors and returns to the present day to punish their descendants.
A fear-obsessed freelance cameraman investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.
Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.
Four friends pledge to commit suicide together but while standing on the ledge, only one of them actually jumps. Her ghost begins to haunt the remaining friends until the pledge is fulfilled.
In January of 2014, five filmmakers suddenly disappear while shooting in the nearby Drigh Lake Larakana woods. One week later, their camera was found.
Creepy happenings in an abandoned mansion are attributed to the ghost of an ancient courtesan, back for revenge.
Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.
Revolves around a family, in a village, where cops are regarded as kaaval deivam similar to Aiyanaar and Karuppan and most of the members of which have been in the police force for decades. All, except for One person, who vows to make his son a cop one day, despite troubles from supernatural forces..