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**Cliff Walkers** follows 4 Chinese spies trying to reach the Japanese-dominated city of Harbin, where they should await for further instructions. However, the Japanese are aware of their plans, and send their agents to infiltrate and sabotage the mission. This film has spies doing what they do best: handling information. The first scene has the protagonists split into 2 groups, with no radios or other ways to contact each other. In a following scene, when one of the groups learns that they're being watched, they must pass this information to their teammates without busting their identity. In another, they must schedule a meeting without seeing each other. The challenge of transmitting/receiving information is the base for the whole movie. The Japanese suspects they have a mole, so they're also careful when sharing information among them. The film goes back and forth like this, alternating between scenes following the Japanese or Chinese teams. All the characters are smart, and will play tricks to withhold or extract information from others. The tension starts at the 10-minute mark and lasts throughout the session. **It feels exactly how a spy movie should**. While the writer has said this is a movie where spies are "portrayed as people with emotions", I couldn't connect with any of the characters. But I wouldn't say this is a bad thing, I actually think it's good. There are moments where the tension will ease and the characters will shed tears or talk about their past, but they represent a minor slice of the movie's length (it lasts 2 hours). They use just enough time so that you don't feel like you're watching emotionless robots. But this means that the time not being used to make the spies more human is being used to build up the tension, which represents the **absolute best aspect** of this film. Unfortunately, I can't say I enjoyed the movie to it's fullest. There were moments where **I couldn't absorb new information fast enough**. All the characters wear the same clothes, which makes it kinda hard to know who is who. This leads to scenes where you don't understand what just happened. A character/event flowchart would be a welcome companion while watching it. From what I've been able to research, this is actually a prequel to the 2012 TV show "悬崖" (Cliff) by the same writer, Quan Yongxian. In an interview, he said that in 2015 he had written the script for this prequel as a 60-episode show. **If this had been a TV show – or even a book –, where things could flow in a more friendly pace, this would've been an absolute must-watch**. **Overall, it's a very good movie, and I recommend anyone interested to watch it**. Even though you'll scratch your head sometimes and may wish to rewind a bit to understand what is happening, the movie is perfectly enjoyable without an aforementioned flowchart.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to "clean up" the infestation.
A month after Genji Takiya graduates, a new battle for supremacy at Suzuran All-Boys High School begins. Transfer student Kaburagi Kazeo combats Kagami Ryohei for the coveted top spot, amidst a brewing inter-school conflict with Kurosaki Industrial High.
As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining. However, unbeknownst to him, he becomes a key player in a dispute between rival police divisions, as he finds himself increasingly involved with the sister of the girl he saw die.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.