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I don't think I can go so far as to call _Freddy vs. Jason_ good. But I can still be honest about the fact that I love it. Considering it mad-grabs the humour from both its delivering franchises late-stage entries, with the bizarre, ethereal yet quippy flavour of _Elm Street_, and the body count of a _Friday the 13th_, how could I not? Crappy acting, unbelievable SFX, hack script, completely disrespectful to the canon of both parents, yet eminently re-watchable for any occasion. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I don't think I can go so far as to call _Freddy vs. Jason_ good. But I can still be honest about the fact that I love it. Considering it mad-grabs the humour from both its delivering franchises late-stage entries, with the bizarre, ethereal yet quippy flavour of _Elm Street_, and the body count of a _Friday the 13th_, how could I not? Crappy acting, unbelievable SFX, hack script, completely disrespectful to the canon of both parents, yet eminently re-watchable for any occasion. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
***Worthy new millennium entry in the Friday & Nightmare franchises, until they clash, that is*** To be expected, 2003's "Freddy vs. Jason" mixes together elements of the "Nightmare" and "Friday" franchises. Both franchises had essentially ran out of gas in the early 90s -- the last conventional "Friday" movie, before 2001's "Jason X," came out a decade earlier and the last "Nightmare" movie almost as long. So mixing up the formats was a great way to introduce these modern monsters to a new generation as well as re-introduce them to the old. THE PLOT: Freddy Krueger, the wicked spirit of a child molester/serial killer, is trapped in hell and unable to wreak havoc on the youths of Springwood, Ohio, because they have forgotten him and therefore no longer believe. Krueger's diabolical plan is to lure Jason from Crystal Lake, NJ, to Springwood and inspire him to go on a killing spree, which would naturally be blamed on Kruger, thus giving him the power to return. Some say "Freddy vs. Jason" is more of a "Nightmare" film than a "Friday" film, and I can see why, but it's really an equal parts crossover. Once Jason is led to Springwood it essentially becomes a "Nightmare" movie with Jason as the antagonist until Freddy gains enough power; by that time the story switches to Crystal Lake for the finale and even provides an insightful flashback (via a dream sequence) of Jason's youth and abuse. One of the highlights takes place early in the second act: Jason's flaming attack at a teen party in a cornfield; it's a dynamic sequence and features great opticals. As with all the Friday films, "FvJ" features a nice assortment of women, beginning with the cameo of Heather (Odessa Munroe) in the opening reel. She's pretty much on par with the cameo of Agent Marcus (Julie Michaels) at the beginning of "Jason Goes to Hell." From there we have cutie Katharine Isabelle as a secondary protagonist and Monica Keena as the heroine. It took me about half the movie to warm up to Monica but she ultimately won me over. "Freddy vs. Jason" is a noticeably more technically sophisticated than the first nine "Friday" movies. Don't get me wrong, it's very cartoony and hardly scary (except for jump scares and gore), but it LOOKS so much better and has more oomph. The story’s also way more involved than the first eight entries and “Jason X,” which makes the film play better on repeat viewings. The fight between the two monsters in the closing act is a cinematic tradition going back earlier than 1945's "The Wolf Man vs. Dracula" (aka "House of Dracula"), but it's the weak point of the movie for me because it's just too cartoony. The film works as horror with either Jason or Freddy attacking the youths, but when they finally clash in the action-packed climax it's just too comic booky. The film runs 97 minutes and was shot mostly in British Columbia, Canada (e.g. Buntzen Lake, Anmore), but also Toronto. GRADE: B
I was so excited to hear this movie coming out. It didn't disappoint. My two greatest horror killers of all time battling each other. Love this movie.
I was so excited to hear this movie coming out. It didn't disappoint. My two greatest horror killers of all time battling each other. Love this movie.
The “Summer Camp” horror trilogy was one of the most popular franchises of the 1980s. However, the decade ended and so did director Julian Barrett’s career. Now Barrett plans to resurrect his gory series via a modern reboot patterned after reality filmmaking. With his former leading lady and an eclectic group of 10 young “contestants,” Barrett returns to the same locale where his old splatter-fests were filmed. When one of the campers is found savagely murdered, they realize there’s more at stake than just fame and fortune. Each of them is in a fight for their lives as they realize summer is over – forever.
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
A dysfunctional couple head to a remote lakeside cabin under the guise of reconnecting, but each has secret designs to kill the other. Before they can carry out their respective plans, unexpected visitors arrive and the couple is faced with a greater danger than anything they could have plotted.
Bedridden and broken, Emma, a young woman in her early twenties, faces the horrors manifested from her recent car crash.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
Sumanto's crime of cannibalism caused a commotion to everyone in a small village and made headlines in the newspapers. He recounts his life journey and crimes to a journalist.
In the distant future, demonic creatures rule the earth. Two magicians try to open a chest that holds the secret of the salvation of humanity.
When a troubled teen aged girl goes missing, an ex-detective is forced to take on the case which he slowly realizes is a lot stranger than it originally seemed.
A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. In order to protect her son she will have to reveal a dark secret, and unleash the inner monster she has fought to hide.
In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.