Alien Invasion Rise of the Phoenix 2025 - Movies (May 17th)
Mission Impossible - The Final Reckoning 2025 - Movies (May 17th)
Final Destination Bloodlines 2025 - Movies (May 17th)
Dead Wrong 2024 - Movies (May 17th)
Marlon Brando in Paradise 2024 - Movies (May 17th)
Hurry Up Tomorrow 2025 - Movies (May 17th)
Sinners 2025 - Movies (May 17th)
The Uninvited 2024 - Movies (May 17th)
Lost on a Mountain in Maine 2024 - Movies (May 17th)
Mickey 17 2025 - Movies (May 16th)
Project MKHEXE 2025 - Movies (May 16th)
Gangstas 2025 - Movies (May 16th)
Rebel Country 2024 - Movies (May 16th)
The Substance 2024 - Movies (May 16th)
Liza A Truly Terrific Absolutely True Story 2025 - Movies (May 16th)
The Code 2024 - Movies (May 16th)
The Quilters 2024 - Movies (May 16th)
Matteo Lane The Al Dente Special 2025 - Movies (May 16th)
A Breed Apart 2025 - Movies (May 16th)
Deaf President Now 2025 - Movies (May 16th)
Presence 2024 - Movies (May 15th)
The Real Murders of Atlanta - (May 18th)
James Martins Saturday Morning - (May 18th)
All Elite Wrestling- Collision - (May 18th)
Screwballs - (May 18th)
Iyanu - (May 18th)
On Patrol- Live - (May 18th)
The Walking Dead- Dead City - (May 18th)
Have I Got a Bit More News for You - (May 18th)
Godfather of Harlem - (May 18th)
MobLand - (May 18th)
Love Triangle - (May 18th)
Eurovision Song Contest - (May 18th)
The Beat with Ari Melber - (May 17th)
Someday at a Place in the Sun - (May 17th)
Dimension 20 - (May 17th)
Lucky - (May 17th)
The Kelly Clarkson Show - (May 17th)
Secrets of the Royal Traditions - (May 17th)
GRAND SUMO Highlights - (May 17th)
Tragedies involontaires - (May 17th)
I don't think I can go so far as to call _Freddy vs. Jason_ good. But I can still be honest about the fact that I love it. Considering it mad-grabs the humour from both its delivering franchises late-stage entries, with the bizarre, ethereal yet quippy flavour of _Elm Street_, and the body count of a _Friday the 13th_, how could I not? Crappy acting, unbelievable SFX, hack script, completely disrespectful to the canon of both parents, yet eminently re-watchable for any occasion. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I don't think I can go so far as to call _Freddy vs. Jason_ good. But I can still be honest about the fact that I love it. Considering it mad-grabs the humour from both its delivering franchises late-stage entries, with the bizarre, ethereal yet quippy flavour of _Elm Street_, and the body count of a _Friday the 13th_, how could I not? Crappy acting, unbelievable SFX, hack script, completely disrespectful to the canon of both parents, yet eminently re-watchable for any occasion. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
***Worthy new millennium entry in the Friday & Nightmare franchises, until they clash, that is*** To be expected, 2003's "Freddy vs. Jason" mixes together elements of the "Nightmare" and "Friday" franchises. Both franchises had essentially ran out of gas in the early 90s -- the last conventional "Friday" movie, before 2001's "Jason X," came out a decade earlier and the last "Nightmare" movie almost as long. So mixing up the formats was a great way to introduce these modern monsters to a new generation as well as re-introduce them to the old. THE PLOT: Freddy Krueger, the wicked spirit of a child molester/serial killer, is trapped in hell and unable to wreak havoc on the youths of Springwood, Ohio, because they have forgotten him and therefore no longer believe. Krueger's diabolical plan is to lure Jason from Crystal Lake, NJ, to Springwood and inspire him to go on a killing spree, which would naturally be blamed on Kruger, thus giving him the power to return. Some say "Freddy vs. Jason" is more of a "Nightmare" film than a "Friday" film, and I can see why, but it's really an equal parts crossover. Once Jason is led to Springwood it essentially becomes a "Nightmare" movie with Jason as the antagonist until Freddy gains enough power; by that time the story switches to Crystal Lake for the finale and even provides an insightful flashback (via a dream sequence) of Jason's youth and abuse. One of the highlights takes place early in the second act: Jason's flaming attack at a teen party in a cornfield; it's a dynamic sequence and features great opticals. As with all the Friday films, "FvJ" features a nice assortment of women, beginning with the cameo of Heather (Odessa Munroe) in the opening reel. She's pretty much on par with the cameo of Agent Marcus (Julie Michaels) at the beginning of "Jason Goes to Hell." From there we have cutie Katharine Isabelle as a secondary protagonist and Monica Keena as the heroine. It took me about half the movie to warm up to Monica but she ultimately won me over. "Freddy vs. Jason" is a noticeably more technically sophisticated than the first nine "Friday" movies. Don't get me wrong, it's very cartoony and hardly scary (except for jump scares and gore), but it LOOKS so much better and has more oomph. The story’s also way more involved than the first eight entries and “Jason X,” which makes the film play better on repeat viewings. The fight between the two monsters in the closing act is a cinematic tradition going back earlier than 1945's "The Wolf Man vs. Dracula" (aka "House of Dracula"), but it's the weak point of the movie for me because it's just too cartoony. The film works as horror with either Jason or Freddy attacking the youths, but when they finally clash in the action-packed climax it's just too comic booky. The film runs 97 minutes and was shot mostly in British Columbia, Canada (e.g. Buntzen Lake, Anmore), but also Toronto. GRADE: B
I was so excited to hear this movie coming out. It didn't disappoint. My two greatest horror killers of all time battling each other. Love this movie.
I was so excited to hear this movie coming out. It didn't disappoint. My two greatest horror killers of all time battling each other. Love this movie.
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.
When Derek moves to a new town and discovers a shortcut through the woods to his high school, he learns about a crazy old man who lives near its path: Legend has it that he abducted a group of teenagers years ago. Ignoring the warning, Derek and his friends set out to uncover the dark secret that's buried deep in the woods. But will they survive to tell it?
A paranormal author and his dying wife buy a mysterious house with the hopes of healing, but the house may have other plans.
A young boy witnesses the murder of his parents at the hands of a man dressed as Santa, only to grow up and become a killer himself. Haunted by trauma and fuelled by a twisted sense of justice, he dons the red suit, turning the advent calendar into a series of nights of terror. As Christmas Eve approaches, a small town becomes his latest hunting ground, where the naughty and bad pay the ultimate price.
On vacation at a remote lake house, a mother and her two young daughters must fight for survival after falling into a terrifying and bizarre nightmare conceived by a psychopath.
Detective Catherine Palmer is on the trail of an elusive serial killer. During her investigation she meets Vickie Kittrie, who belongs to an exclusive club of women who engage in secret sessions of bondage and S&M. Matters become even more complicated when Palmer finds herself attracted to Kittrie, leading to a brief lesbian encounter. Palmer soon learns that each victim belonged to this club of prominent, sexually experimental women. In order to catch the killer, Catherine must trust Vickie to guide her through the dangerous and illicit underground.
Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
Samantha plays the role of "Fortune Teller," but she is a thorough skeptic about "paranormal activities" and all things supernatural - she certainly doesn't believe in ghosts.
On Halloween night at a horror theme park, a costumed killer begins slaying innocent patrons who believe that it's all part of the festivities.
A man's family brought back from the verge of death, he then discovers he can identify people who are about to die.