Marilyn Monroe: The Final Days

A documentary about the makings of two Parker Brothers VHS games - 'Clue VCR Mystery Game' and 'Clue II: Murder in Disguise'.

In his first HBO comedy special, Gary Gulman offers candid reflections on his struggles with depression through stand-up and short documentary interludes. While speaking to issues of mental health, Gulman also offers his observations on a number of topics, including his admiration for Millennial attitudes toward bullying, the intersection of masculinity and sports, and how his mother's voice is always in his head.

A groundbreaking documentary about the temperament trait of high sensitivity found in 20% of the population in both men and women. Based on the findings of bestselling author-psychologist Dr. Elaine Aron ("The Highly Sensitive Person").

Alastair Campbell candidly talks about his experience living with depression and explores if radical new treatments can make a difference.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.

James, giving himself 12 months before he has "a license to kill himself," sets off to the Amazon rainforest with hopes of finding a shaman who can save his life.

The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

Street performer Paul Cooper has an unlikely ally in his ongoing battle with anxiety and depression - his robot, Tubby.

The good people of the Solax community realize that they have cause to make merry before the New Year because the Almighty has guided their breadwinning footsteps toward the Solax Studio's happy atmosphere, bank together like the big happy family they are, to give expression to their happiness in the form of a gift to the immediate cause of their good fortune and sunshine.