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The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.
On a rainy day, Zhang Xin, a filmmaker who suffers from obsession deeply, comes across a strange girl, carrying a durian. He can’t help but walk towards her. This beautiful bubble breaks once the girl turns out to be the reflection of the obsession.
If It’s Not Now, Then When? mostly takes place in an apartment inhabited by three members of a family (though never at the same time): mother Pearlly Chua (from Tsai Ming-liang’s I Don’t Want to Sleep Alone), daughter Tan Bee Hung and young son Kenny Gan. Their father seems recently to have died. The mother leaves early and returns late, out on long walks in the park with a lover whom the daughter and her best friend try to spy on. The daughter pecks away at a computer at work and has a desultory affair with her married boss, which he carries on between his business and family phone calls. And the son breaks into cars and “recycles” the electronics he finds.
The C-list TV actor Jonnie Zhang decides to change career as an estate agent. While preparing for the interview, he hires a cleaner to tidy up his long non-visited mansion. A cleaner receives a task to a vacant house, and she decides to stay over night realizing that the bus service has been suspended. Out of every clue hidden in the house, she fantasizes its whole family and secrets, along with her own previous life she comes across.
The frustrated painter decided to burn his failed paintings. Unexpectedly, when the paintings burned down, they turned into paper cranes and returned to his memory. As memories shuttled, the painter wanted to recover the waste paper again, but it was too late.
"Xi Hai City" of male leading role is a looming demolition in the villages of the youth of the world confusion about the future, he wandered around every corner, in the village from the lock the door when you leave, to go to the toilet, to meet others, to buy breakfast, until get to the sea met a woman finally clashed with her and tried to a relationship, finally dull left, alone quietly walked into the sea.
Yang Xin dropped out of school and returned to his hometown, but felt uncomfortable with the popular culture represented by live broadcast/ Douyin culture gradually becoming the mainstream of society. I wanted to return to my familiar hometown to find a sense of identity, but found that my hometown is no longer the same as in the past. The social atmosphere of my hometown and my own memories are all different. The only similarity that can be found is the river in the hometown, but the river that has been flowing has maintained its original consistency.
Liu Ziying was imprisoned three years ago for drug trafficking. He performed well in prison and had a high cultural quality. He was arranged to write a suicide note to the death penalty inmates. Before he was released from prison, Xu Xiaolong, the death penalty prisoner, wanted Liu Ziying to write a suicide note to him and told him that if he helped him fulfil his will, he would give Liu Ziying a sum of money. After Liu Ziying was released from prison, he acquired money by helping the death penalty prisoners fulfil their will. After tasting the sweetness, he embarked on a road of self-redemption.
Graduate student Yi-wen gets on the wrong train and meets a former classmate from her past, Wei-chiang, who is now a university lecturer. The two alight together at the same station when they both find themselves having boarded the metro headed for the wrong direction. The two end up going to dinner and bumble about in awkward, fair-weather catching up when they both realise something about themselves that they have never openly admitted over the years.
Two friends reconnect at their childhood haunts in the heartlands. As the night lengthens, their conversations draw out their sense of entrapment within the city, and how far removed their present selves have become from fleeting childhood aspirations.