Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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Frontline - (Feb 19th)
The Joe Schmo Show - (Feb 19th)
Tyler Perrys The Oval - (Feb 19th)
Georgia Harrison- Porn, Power, Profit - (Feb 19th)
The Bachelor - (Feb 19th)
After Midnight - (Feb 19th)
Vincenzo - (Feb 19th)
Ishura - (Feb 19th)
Allegiance - (Feb 19th)
Wild Cards - (Feb 19th)
Someday at a Place in the Sun - (Feb 19th)
Coulda Been Love - (Feb 19th)
Two Ways With Erica Mena - (Feb 19th)
The Chase Australia - (Feb 19th)
Baddies Midwest - (Feb 19th)
Trucking Heavy - (Feb 19th)
Married at First Sight - (Feb 19th)
Australian Survivor - (Feb 19th)
Deal or No Deal Island After Show with Boston Rob - (Feb 19th)
The 11th Hour with Stephanie Ruhle - (Feb 19th)
So I wanted to watch an early film of Miranda Otto's and came across this one from 1996. It had a really good pedigree, winning the Caméra d'Or at Cannes that year, so I settled down. It follows (at a slow pace), a three-times divorced radio DJ ("Ken Sherry", unabashed Barry White fan) who moves to a small rural town in Australia. He moves in next door to sisters who vie for his affections - the elder is quite desperate (protesting frequently that she is not) after her fiance was killed by a chainsaw accident; and the younger (Otto) is ... strange ... and eventually thinks that Sherry might be part fish. At the end of the movie, I just dont know what to make of it. It is bizarre, but beautifully shot (the cinematography is perfect); Slow paced, but enticing (the direction is outstanding); Off-putting and downright creepy at times (Im looking at you first seduction scene), but you feel for both women; And Otto is perfect (adding small quirks and mannerisms to every second her character is on screen that another actor would not have put in). Add an ending that is both strange and satisfying and you have this weird conglomeration of a movie. I dont know whether to love or loathe this film (so Ive split it down the middle - 3 stars).
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
Nackt is the story of three couples, one of which just broke up, one that seems to be about to and one perfectly okay. They are all friends and from time to time they gather to talk about everything.One time they gather for dinner at the second couple's "mansion" - the husband became rich with his business. We see each couple as they prepare themselves for the party and learn a lot about their relationships.At the dinner they get to talking about recognizing each other's peer with closed eyes and decide to try it (thus the title "Nackt"=naked in German).
Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.
Nina is a 20 years old girl from Valladolid who lives with her divorced father, an autoritarian and conservative man. Trini is of the same age and has lost her mother. For both Valladolid and their families have nothing to offer and therefore they go on a risky voyage to the Costa del Sol at the south of Spain.
Spoiled Jessie Montgomery, whose wild behavior and spending excesses cause her well-meaning but exasperated millionaire father Charles to wish he never had her, is visited by fairy godmother Stella. In an effort to save Jessie, Stella casts a spell which causes Charles to no longer have a daughter. Jessie, now penniless and without a friend, must take a maid's job to earn a living, and hopefully to learn her lesson.
It took a lot of cajoling to get Bob, a recently widowed architect, to go on a blind date at a quirky Irish-Italian eatery. Once there, he's smitten instantly not with his date but with the sharp-witted waitress. Everything seems to be going great until an unbelievable truth is revealed, one that could easily break both of their hearts for good.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
In a temper, Meg, a cynical, overworked TV executive, rants about how the movies she produces lie, making you think dreams can come true, and tries to smash her favorite snow globe. Instead, it hits her on the head and knocks her out. When she comes to, she finds herself magically transported to a perfect snow-covered town like the one in her globe, married to a handsome woodworker and mother to two young children.
When successful New York marketing executive Katherine discovers her workaholic ways are taking a toll on her eight-year-old son, Zac, she decides to spend Christmas with him and her mother, Lilly in her home town on the bayou. When Caleb tries to rekindle a childhood romance and convince her to move back home, Katherine is torn between the bright lights of the big city and the quiet, gentler rhythms of her Southern roots. Only a Christmas miracle orchestrated by Papa Noel can steer her heart to her true home.
A young woman obsessed with true crime overhears two men in a restaurant plotting a murder.