プレリュード めぞん一刻 めぐる春の桜のように…

A film director turns his actress wife into a star, leading to marital problems.

Having been married for seven years, a tourist office director and his well-known television presenter wife, Alekos and Efi Fotiou go through a crucial phase. Dedicated to their careers, they rarely meet, and when thy actually achieve it they always end up quarreling. The only family they have, their uncles, suggest they have a baby. She finds it a good idea, but Alekos thinks that they won't be able to raise a baby properly. This dispute brings them one step closer to divorce, which now seems the only solution, especially when Efi starts to believe that Alekos is flirting with Tzouli, and Alekos suspects that his wife is having an affair with Dimitris. When it is finally proved that none of this is true, and, actually, Tzouli is planning to marry Dimitris and Efi's aunt Dimitris' uncle, they all get reasonable, the couple gets over its crisis and they live happily ever after, together with their newborn child.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

A married couple on the verge of separation are leveled by the news their 18-year-old son committed a mass-shooting at his college, then took his own life.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

A sudden loss disrupts Carol’s orderly life, propelling her into the dating world for the first time in 20 years. Finally living in the present tense, she finds herself swept up in not one, but two unexpected relationships that challenge her assumptions about what it means to grow old.

Angela Delvecchio, coming from a rather poor family, moves into the rich town Montevista. She admires Stacy, leader of the most prestigeous clique of her high school. Angela wants to be accepted and seeks Stacy's friendship. But when she defends outsider Monica against Stacy, she becomes Stacy's target herself. Mocked, she stabs Stacy with a kitchen's knife. The trial becomes a sensation.

Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.

We are in Argentina in 1977, a woman gives birth to twins. With the complicity of the midwife he manages to hide the child, second child. The first, a boy, is taken into custody by the regime's guards. The scene moves to the Milan of today. The young Rosa contacts Javier and tries to convince him that they are twin brothers, separated at birth. Thus, the two begin a journey to rediscover their origins and their past. A bitter reality is ready to overwhelm them ...

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Naa Autograph (English: My Autograph) is a 2004 Tollywood film directed by S. Gopal Reddy. The film stars Ravi Teja as the protagonist, with Bhumika Chawla, Gopika, Mallika and Prakash Raj playing other important roles. The film is a remake of the superhit Tamil film Autograph which starred Cheran and Sneha in the lead roles.