L'ultimo ballo

A dance dramatic satire about a boy exploring his home only to discover who he want to become. Each scene contains a stereotype or stigma that a male dancer deals with. There are 35 different stereotypes and stigmas that a male dancer faces, from being labeled gay (even if they are not) to the clothes they have to wear. Can you identify all 35 in the film?

After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.

Although his alcoholism has been treated, Alain still feels he is deeply unwell and does not feel he can leave the detoxification clinic once and for all. His wife, living in New York, continues to pay for his treatment, but no longer contacts him directly. He intends to commit suicide, but first takes a ride to Paris to catch up with old friends.

Pablo is seen less and less in the neighborhood. So much so that his friends no longer even know what's become of him. His secret: he has a passion for horse-riding and hides, for fear of having to cope with other people's attitudes. One day, his pals discover the truth. Pablo must then must make a major decision: to come to terms with himself and become the first cowboy in the projects.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

This Crime Does Not Pay entry focuses on fake spiritualists. A mother is worried about her son, who is missing in action. Over time, she gives a con man all of the family savings to find reassurance that her son is all right. When she can no longer pay, events take a tragic turn.

Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason for this accusation and to protest his innocence, he tries to look behind the façade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this nightmare.

A desperate socialite seeks her missing husband, troubled by bad investments and debts, with help from a private eye and the high-priced call girl hubby had been seeing.

Michel is a funny boy, a kind of intellectual. With Pauline, a very beautiful girl he met on the beach, they are going to get naked and discuss surrealism, sincerely and without trickery. But who are they really?

As dawn creeps across London, two lost outcasts meet in the darkness, more afraid of themselves than each other. As the sun begins to rise, and the veil of the night is lifted, the pair look into the cold light of day for hope and it takes more than just the eyes to see inside a soul.