Pas d'excuses, pas de limites

This sizzling video is guaranteed to add spice to your love life. In the privacy of your boudoir do something delightfully naughty but nice for yourself and your man by following the easy step-by-step moves of GiO. According to the San Diego Times Union "We learned to walk like sex goddesses, pose like sex goddesses, dress like sex goddesses…(and) how to take off (our) clothes with panache…" GiO will put it all together for you and teach you everything you always wanted to know about striptease.

Documentary on the great American Ballerina Wendy Whelan

A valuable testimony that approaches the essence of Nijinsky who did not leave a video. Boris Kochno, who was at the center of Russian ballet, vividly tells how Nijinsky, who had fallen ill, witnessed his newly choreographed self-made work. Nijinsky's successor machine is a rare record of transferring Nijinsky's appearance in the popular work "Afternoon of a Faun" to two great dancers, Grigorowich and Wasiriev, who carry Bolshoi ballet on their backs.

Animator Mathieu Labaye's tribute to his father, who suffered from multiple sclerosis and was confined to a wheelchair.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

A professional company of actors with disabilities defies expectations by taking center stage in Chicago the musical.

As a visibly disabled person, filmmaker Reid Davenport is often either the subject of an unwanted gaze — gawked at by strangers — or paradoxically rendered invisible, ignored or dismissed by society. The arrival of a circus tent just outside his apartment prompts him to consider the history and legacy of the freak show, in which individuals who were deemed atypical were put on display for the amusement and shock of a paying public. Contemplating how this relates to his own filmmaking practice, which explicitly foregrounds disability, Davenport sets out to make a film about how he sees the world from his wheelchair without having to be seen himself.

The first Hirde Dyama National Festival of Culture of the Republic of Guinea was held in March 1970 in the country's capital city of Conakry. The film features many colorful and diverse performances and highlights the protection of traditional West African cultural traditions and art forms under President Ahmed Sékou Touré.

Sergei Polunin is a breathtaking ballet talent who questions his existence and his commitment to dance just as he is about to become a legend.