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The Wild Robot 2024 - Movies (Nov 25th)
Witches 2024 - Movies (Nov 25th)
In a Violent Nature 2024 - Movies (Nov 25th)
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Wicked 2024 - Movies (Nov 24th)
Superman and Lois - (Nov 26th)
Poppas House - (Nov 26th)
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The One Show - (Nov 26th)
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The Bold and the Beautiful - (Nov 26th)
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The Price Is Right - (Nov 26th)
NCIS- Origins - (Nov 26th)
Lets Make a Deal - (Nov 26th)
The Talk - (Nov 26th)
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This is another one of those movies where you don't get your time back. There is nothing clever about the plot. It just twaddles on aimlessly, leading up to very cheesy murder scenes that look like the product of a high school student's drama submission and sweet FA payoff in the end. Why this got the support of The National Lottery through The Arts Council of Wales is beyond me. It's simply a colossal waste of everyone's money. Then again, if that is your sort of thing, then more power to you. Each to their own and all that. :)
Very, very good! 'Censor' features a great premise and it turns out to be one that is executed excellently. The feel of the film throughout is near perfection, with the tone all right and the 1980s aesthetic seemingly on point. It's paced ideally, with zero moments of drag. Niamh Algar puts in a super performance as lead. I recently watched her also impress in television's 'Deceit' - which was broadcast within a week or so of this production's cinema release, there are actually some (minor) similarities between the two; a set of dark roles for Algar, that's for sure! She's the clear standout, though props to the support cast too. Looking at a few other reviews, it seems to come down to how effective the ending is to you. For me? I think it's a great conclusion.
**A movie completely removed from reality - which is the point** A confusing, convoluted and completely absurd and unrealistic movie. Since this is of course all intentional, I am not entirely sure if that makes the movie better or worse. It's one of those movies that's really hard to rate and almost impossible to compare to any other movie, though it does feel very reminiscent of David Lynch movies. But for those who just feel confused after watching it, let me explain it real fast. Basically the movie is comparing deranged, schizophrenic psychopaths to, well, movies censors :-) Because the schizophrenic psycho killer loses his ability to tell what is real and what's not. Similarly, people engaged in censorship also loose their ability to distinguish reality from fantasy, or at least that's what the movie argues. Because censorship is almost always being justified by saying that without it, whatever is depicted in movies, would become a reality. Of course "normal" people can distinguish between reality and fiction, but schizophrenics can not, so censorship is necessarily to keep the schizophrenics from imitating fiction. But of course by arguing that fiction would become reality, the censors expose themselves as people who seem to have difficulty keeping reality and fiction separate. So then if it was really true that violent movies would make such people violent, then by their own logic, you would have to conclude that such censors themselves would become the most violent monsters ever, as they of course watch the most amount of horribly violent horror movies. But even so, we have never heard of any censor going on a killing spree, except of course in this very movie itself, which would of course itself be categorized as a "video nasty". And that's the point.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
When Narcing brings home his wife Puring to their hometown Mulawin in the 1930s, it sets off a series of events that include parricide, infidelity, betrayal, guilt and redemption.
A young teenage werewolf is torn between honoring her family's secret and her love for a man.
A reporter, Alicja Tabor, after many years returns to her hometown of Wałbrzych to write a report about kidnapped children and also to face her own dark family history.
Animation feature ostensibly about the adventures and romance of two Interpol agents, called upon to investigate a sensational art theft. At the same time, the film pokes fun at the contemporary art world - in particular Joseph Beuys's statement that 'everybody is an artist'.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
Micro short film directed by Portuguese multi-award winning Sara Eustáquio, 16, starring Canadian young actress Jaimie Marchuk. Student project produced at New York Film Academy, in NYC.
"Relating a tale told by a girl on a swing, Beneath the Skin explores the contrast between the impersonal horror of a news story heard on television and the involvement of the storyteller in a nightmare, which gradually becomes more familiar and commonplace as the tale unfolds. The straightforward approach of the teller is humorously or frighteningly contrasted by a bombardment of visual images which mock or intensify the macabre flavor of the work."
Silvia is a young teacher at an elementary school. One day, her class is interrupted when the students notice her double walking on the other side of the street. Silvia tries to ignore the apparition, but this strange event begins to permeate her daily life and transform her pesonality.
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
The macho Italian vampire Baisez appears on the set of a low-budget film about vampirism and billiards and seduces the cast and crew.