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Fulci’s Feral Food Feast. Being of a “certain” age and being British, I was firmly around at the time of the ridiculous “video nasty” mania that swept the UK in the early 1980s. Films that usually involved cannibals, either ferox, holocaust or zombified, and torture porn revengers et al, were banned, prosecuted or given a Viking burial at sea. One such film was Zombie Flesh Eaters (the best title the film has of the few it is known by), it became like the Holy Grail of video nasties, where to see it uncut would be like witnessing the last miracle performed by Christ. I never did get to see it back then, and as my horror leanings waned over the years I let it drift from my conscious. But now I’m here in my middle age and finding a new appetite for horror, I have finally managed to see the fabled shocker from Lucio Fulci. In many ways it’s a disappointment, I mean I understand that to view it now is never going to impact in the way that it did (could) in 1979, but casting aside for a moment the gore scenes, which I will get to, it’s a bad film awash with badness, and not in a horror bad ass way. Much like the other Fulci film I viewed recently, The House By The Cemetery, ZFE is a series of blood and guts scenes strung together by amateurish filler. Be it bad acting, bad dubbing, hopeless dialogue and half hearted attempts at something cranial. However, if judging this particular Fulci film on its key horror scenes? Then it’s got brains, imagination and style to burn. Marking it out as by definition a mixed bag genius disaster! The zombies themselves are brilliant creations, all dripping with rotting flesh, caked in earth and having mother nature’s insect creatures wriggling around their ravaged bodies. They shuffle along in classic Romero mode, and feast on flesh with carefree abandon. They are also perpetrators of some of zombie cinema’s best moments, such as fighting a shark on the ocean bed, pulling a hapless female victim onto a wooden splinter – eye first! And one scene where they collectively rise slowly from the earth is atmospherically as creepy as it is stunning in its execution. It is these things that of course helped to make it a legendary part of the Italian Exploitation era, and it’s these things that make it watchable still today, but let it not be said there is anything else worthwhile, because the rest is simply awful. 6.5/10
in my opinion, quite simply the best CLASSIC zombie movie ever made
When disc jockey Grant Mazzy reports to his basement radio station in the Canadian town of Pontypool, he thinks it's just another day at work. But when he hears reports of a virus that turns people into zombies, Mazzy barricades himself in the radio booth and tries to figure out a way to warn his listeners about the virus and its unlikely mode of transmission.
The Dalton gang escape to a nearby town after a train robbery goes south, but they are met by a coven of witches with sinister plans for the unsuspecting outlaws.
Michael manages to free himself from Laurie Strode's trap to resume his ritual bloodbath. As she fights for her life from injuries from their last encounter, she inspires her daughter Karen, her granddaughter Allyson, and all of Haddonfield to rise up against the unstoppable monster.
Only legendary Japanese garage rock band Guitar Wolf can stand between a race of aliens from destroying earth with an army of zombies.
Five tales in the style of classic '50s horror comics, involving a murdered man emerging from the grave, a meteor's ooze that makes everything grow, a snack for a crated creature, a scheming husband, and a malevolent millionaire with an insect phobia.
Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.
When an abused wife grows to giant size because of an alien encounter and an aborted murder attempt, she goes after her cheating husband with revenge on her mind.
The Cusp is a serial killer who kills his victims and then brings them back to life; over and over again; until they beg to die! Maya is a psychic investigator who gained her powers after a 1 year coma after she was the Cusp's first victim! Now the Cusp Killer is back and Maya has little time to do what she has never done before: go into the mind of a killer unprotected and save his latest victim.
Young couple Steve and Nell move into a once fashionable but now decaying apartment block in Hollywood, and soon realise that a number of young residents have met unusually violent deaths. Before long, Nell makes some disturbing discoveries about the building's manager and her fellow tenants.
When a UFO crashes and releases radiation, the dead begin to rise in a cannibalistic frenzy. A group of soldiers and civilians make their way to a hotel and must fend off the zombie hordes.
As a young girl, Alison Parker attempted suicide after being traumatized by her father's sexual exploits. Now an elite fashion model, she moves to a Brooklyn Heights apartment building that houses a number of bizarre, eccentric tenants. After experiencing a string of disturbing occurrences, she attempts to uncover the building's sinister secret.