Alarum 2025 - Movies (Apr 26th)
La Cocina 2024 - Movies (Apr 26th)
Dikkie Dik 2 Een nieuwe vriend voor Dikkie Dik 2024 - Movies (Apr 26th)
Murder at the Lighthouse 2025 - Movies (Apr 26th)
On Swift Horses 2024 - Movies (Apr 26th)
Until Dawn 2025 - Movies (Apr 26th)
The Gift That Gives 2024 - Movies (Apr 26th)
In Flight 2024 - Movies (Apr 26th)
The Accountant 2 2025 - Movies (Apr 26th)
Drive Back Home 2024 - Movies (Apr 26th)
Tendaberry 2025 - Movies (Apr 26th)
Dirty Angels 2024 - Movies (Apr 25th)
Warlord 2025 - Movies (Apr 25th)
Limonov The Ballad 2024 - Movies (Apr 25th)
Andrea Bocelli 30 The Celebration 2024 - Movies (Apr 25th)
Dolly Parton Still Rockin 2024 - Movies (Apr 25th)
Reignite A Brisbane Heat Story 2024 - Movies (Apr 25th)
OVERLORD The Sacred Kingdom 2024 - Movies (Apr 25th)
According to Otto 2025 - Movies (Apr 25th)
Neighborhood Watch 2025 - Movies (Apr 25th)
Gladiators 2024 - Movies (Apr 24th)
The 1 Club - (Apr 27th)
The UnBelievable with Dan Aykroyd - (Apr 27th)
The Sunday Show with Jonathan Capehart - (Apr 27th)
Love Triangle - (Apr 27th)
The Last American Vagabond - (Apr 27th)
The Kelly Clarkson Show - (Apr 26th)
RV There Yet - (Apr 27th)
Match of the Day - (Apr 26th)
Britains Got Talent - (Apr 26th)
The Beat with Ari Melber - (Apr 26th)
Heels in the Hay - (Apr 26th)
Our Dream Farm with Matt Baker - (Apr 26th)
The Katie Phang Show - (Apr 26th)
Alex Witt Reports - (Apr 26th)
James Martins Saturday Morning - (Apr 26th)
Prue Leiths Cotswold Kitchen - (Apr 26th)
Dark Winds - (Apr 26th)
Pop the Balloon LIVE - (Apr 26th)
Resident Playbook - (Apr 26th)
Heavenly Ever After - (Apr 26th)
Fulci’s Feral Food Feast. Being of a “certain” age and being British, I was firmly around at the time of the ridiculous “video nasty” mania that swept the UK in the early 1980s. Films that usually involved cannibals, either ferox, holocaust or zombified, and torture porn revengers et al, were banned, prosecuted or given a Viking burial at sea. One such film was Zombie Flesh Eaters (the best title the film has of the few it is known by), it became like the Holy Grail of video nasties, where to see it uncut would be like witnessing the last miracle performed by Christ. I never did get to see it back then, and as my horror leanings waned over the years I let it drift from my conscious. But now I’m here in my middle age and finding a new appetite for horror, I have finally managed to see the fabled shocker from Lucio Fulci. In many ways it’s a disappointment, I mean I understand that to view it now is never going to impact in the way that it did (could) in 1979, but casting aside for a moment the gore scenes, which I will get to, it’s a bad film awash with badness, and not in a horror bad ass way. Much like the other Fulci film I viewed recently, The House By The Cemetery, ZFE is a series of blood and guts scenes strung together by amateurish filler. Be it bad acting, bad dubbing, hopeless dialogue and half hearted attempts at something cranial. However, if judging this particular Fulci film on its key horror scenes? Then it’s got brains, imagination and style to burn. Marking it out as by definition a mixed bag genius disaster! The zombies themselves are brilliant creations, all dripping with rotting flesh, caked in earth and having mother nature’s insect creatures wriggling around their ravaged bodies. They shuffle along in classic Romero mode, and feast on flesh with carefree abandon. They are also perpetrators of some of zombie cinema’s best moments, such as fighting a shark on the ocean bed, pulling a hapless female victim onto a wooden splinter – eye first! And one scene where they collectively rise slowly from the earth is atmospherically as creepy as it is stunning in its execution. It is these things that of course helped to make it a legendary part of the Italian Exploitation era, and it’s these things that make it watchable still today, but let it not be said there is anything else worthwhile, because the rest is simply awful. 6.5/10
in my opinion, quite simply the best CLASSIC zombie movie ever made
On a quiet, tree-lined street, an old television set receives a single channel that repeats the same horror film over and over, freeing zombies from the grave to kill.
Archie works part-time at his uncle's mortuary and is harassed by a few of the popular kids because of it. His harassers die in an automobile accident, and the bodies are taken to his uncle's mortuary. Archie is pulling a late night at the mortuary when he sees a storm brewing. Lighting strikes! They're alive! The preppie bullies continue to torment him...as zombies!
Visitors to a remote island discover that a reclusive Nazi commandant has been breeding a group of zombie soldiers.
In a post-apocalyptic wasteland where zombies roam, a grizzled mercenary and a young woman must fight their way to a safe haven before they become prey.
A demented handyman comes to the rescue of a young woman, then imprisons her in his basement.
A group of teenagers fear for their lives in the swamps of Louisiana, chased by Mr. Jangles, a man possessed by 13 evil souls, and now relentless in his pursuit of new victims.
After Malukan immigrants engage in a string of corpse mutilations at various New York City hospitals, a doctor and a morgue assistant travel to the Maluku Islands to investigate.
Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.
An anthology, based on the comics of the same name by Glenn Danzig, in which the erotic and horrific combine to create multiple ghoulish tales of bloodlust, murder, the occult and the forbidden.
A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.
Tourists take a boat to a remote island, where they find that most of the people have disappeared, and something is stalking them. They find a hidden room in the big mansion on a hill, and an ancient diary, which gives them clues to the source of the terror.