Oriana Fallaci intervista Ayatollah Khomeini

Half blind and half deaf, ostraziced Cuban writer Rafael Alcides tries to finish his unpublished novels to discover that after several decades, the home made ink from the typewriter he used to write them has faded. The Cuban revolution as a love story and eventual deception is seen through the eyes of a man who is living an inner exile.

A thirty-minute High Definition documentary which revisits that winter of 1779-80 when Washington’s troops arrived at the densely-wooded area just south of Morristown known as Jockey Hollow, to build a log hut city for their winter camp. The film is an eye-opening look at how the camp saved the army – and the American Revolution – from the brink of disaster. Based on John T. Cunningham’s book The Uncertain Revolution and shot on location at Morristown National Historical Park, Morristown: Where America Survived is narrated by award-winning actor Edward Herrmann, who has voiced many history documentaries over his extensive career. The program was produced by New Jersey Network.

In the thick of a controversial war of ideas, two enlightening figures, Sam Harris, an atheist and a critic of religion, and Maajid Nawaz, an Islamist-turned-liberal activist, partake in an engaging dialogue on the state of Islam, its potential reform, the militant ideology of Islamism, and where all this lays in a secular world.

At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

Documentary about Charles Gagnon, Québécois politician, FLQ member and communist leader.

Short documentary about Pakistani musician, Nusrat Fateh Ali Khan (1948-1997), leading exponent of Sufi devotional qawwali singing.

These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?

Obsession is a film about the threat of Radical Islam to Western civilization. Using unique footage from Arab television, it reveals an 'insider's view' of the hatred the Radicals are teaching, their incitement of global jihad, and their goal of world domination.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.