Symphony Hour

The protagonist dreams of a better life, and his dreams take the form of colorful magazines.

Bob is a car nut who's oblivious to his wife Sue's need for some amorous action and Barry's (his gay neighbor) unrequited affections. When Sue mistakes the legs sticking out under her hubby's car for Bob's and decides to take action, who can tell where events will lead?

Ellion Ness, a thoroughly professional stripper, goes through her paces, bares her body, and then, astonishingly and literally, transcends it. While the film makes a forceful political statement on the image of woman and the true meaning of stripping, the intergalactic transcendence of its ending locates it firmly within the mainstream of joyous humanism and stubborn optimism.

Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.

A man and a woman have an awkward encounter at an indoor playground.

Sourced entirely from YouTube, converted and edited using Windows Media Maker. A comprehensive list of video credits is available at pointnever.com Root Strata, 2009 Pro-duplicated DVD-R in a slimline DVD case with translucent colour cover and transparent insert. Limited to 250 copies.

A castaway's efforts to make contact with would-be rescuers finally leads to his discovery, but his savior has plans of his own in Dutch director Frodo Kuipers' desert island saga.

Animated clay paintings tell the true story of the last house on a sinking island in the Chesapeake Bay, a large and important estuary and waterway in Maryland, on the East Coast of the United States. In an Old-Time Music ballad, the house sings of its life and the creatures it has sheltered during its lifetime journey from tree, to timber, to home, to an ultimate return to nature. It contemplates time, environmental change, and the rise of the seas.

In ancient times, many centuries before our era, the Greeks fought so often and shed blood that even the formidable Zeus could not stand it and suggested taking a break every four years. For this, sports competitions were invented, during which it was strictly forbidden to fight with each other. The competition was named the Olympic Games, and since then the tradition has been passed down from generation to generation.

Drift by Max Hattler sees the body as a metaphorical landscape. Eerie and sometimes too close for comfort the film manages to transform the familiar and mundane into something poetic and mysterious. A narrative grows out of what at first seems like nothing, but by the time the journey is over the viewer is left wanting more. What has happened is uncertain and maybe unimportant. The mood is at the heart of this piece. One part horror film and one part nature study certainly makes for a compelling mix.