Opus 2025 - Movies (May 29th)
Sinners 2025 - Movies (May 29th)
Captain America Brave New World 2025 - Movies (May 29th)
National Theatre Live Dr. Strangelove 2025 - Movies (May 28th)
Russell Peters Act Your Age 2024 - Movies (May 28th)
Stronger than Ever 2024 - Movies (May 27th)
The Woman in the Yard 2025 - Movies (May 27th)
What Happens After the Massacre 2025 - Movies (May 27th)
Dewayne White A Boy Named Shannon 2025 - Movies (May 27th)
Take Cover 2024 - Movies (May 27th)
The Lunatic Farmer 2025 - Movies (May 26th)
The Demon Disorder 2024 - Movies (May 26th)
Ghosts of Red Ridge 2024 - Movies (May 26th)
In the Lost Lands 2025 - Movies (May 26th)
Bam Bam The Sister Nancy Story 2024 - Movies (May 26th)
Lilo and Stitch 2025 - Movies (May 26th)
Mike Birbiglia The Good Life 2025 - Movies (May 26th)
Alien Invasion Rise of the Phoenix 2025 - Movies (May 26th)
Beezel 2024 - Movies (May 26th)
24 Hours to D-Day 2024 - Movies (May 26th)
Home Sweet Home Rebirth 2025 - Movies (May 26th)
Outback Crystal Hunters - (May 29th)
Tonight - (May 29th)
Interior Design Masters with Alan Carr - (May 29th)
Springwatch - (May 29th)
Ambulance - (May 29th)
Katy Tur Reports - (May 29th)
Taskmaster - (May 29th)
The Yorkshire Vet - (May 29th)
The Kelly Clarkson Show - (May 29th)
Chris Jansing Reports - (May 29th)
Piers Morgan Uncensored - (May 29th)
Garden Rescue - (May 29th)
Uncharted with Ray Goggins - (May 29th)
Sherlock and Daughter - (May 29th)
Homes Under the Hammer - (May 29th)
Money for Nothing - (May 29th)
Taskmaster - (May 29th)
7 Days Series - (May 29th)
Claire Hoopers House of Games - (May 29th)
The 11th Hour with Stephanie Ruhle - (May 29th)
"If buildings could talk, what would they say about us?" CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world's most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.
Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.
Uncovering the profiteering of the state's water barons and how they affect farmers, average citizens, and unincorporated towns throughout California.
A documentary that explores the potential dangers of toxic chemicals in consumer products and the recent spike in unexplained health phenomena.
Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Filmed with irony, the film describes brief moments in the lives of tourists, workers, and local vacationers around the construction of an artificial beach somewhere in the Caribbean.
After selling herself at fourteen to a brothel inside her home town of Svay Pak, Mien takes an undesired path all over Cambodia for the remainder of her teenage life. At twenty, her path crosses with a group of people fighting to make a difference, bringing her long and onerous journey back to face where it all began. The Pink Room is an intertwined story of the heart-rending, epic battle to end sex slavery, from rescue to prevention, and experiencing first hand, the need to change not just individuals, but the communities they come from. Most documentaries on trafficking only bring awareness to the problem. This film bring awareness to the solutions.