Detained 2024 - Movies (May 1st)
The Last Redemption 2024 - Movies (May 1st)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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The Rule of Jenny Pen 2024 - Movies (Mar 28th)
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Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
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The Price Is Right - (May 2nd)
Gardening Australia - (May 2nd)
Power Book III- Raising Kanan - (May 2nd)
Late Bloomer - (May 2nd)
A Bite to Eat with Alice - (May 2nd)
Law and Order Toronto- Criminal Intent - (May 2nd)
Doctor Odyssey - (May 2nd)
Law and Order- Special Victims Unit - (May 2nd)
Elsbeth - (May 2nd)
Ask This Old House - (May 2nd)
This Old House - (May 2nd)
100 Foot Wave - (May 2nd)
Hacks - (May 2nd)
Your Friends and Neighbors - (May 2nd)
Law dis-Order - (May 2nd)
9-1-1 - (May 2nd)
The Beat with Ari Melber - (May 2nd)
Chateau DIY - (May 2nd)
Found - (May 2nd)
Genius Game - (May 2nd)
Modern self-indulgent rubbish. Too long. I gained nothing from watching this. It's nicely photographed, but that is a given in the 21st century. The acting is fine, but this is a review of the movie as a whole. Don't waste your time.
**It's a film for a fairly narrow audience and is very slow paced... too slow.** Honestly, I expected more from this movie. A certain strong dramatic spark that really justified the time spent watching it. Unfortunately, it seems the only motivation for seeing the film is its criticism of the Church of Scientology, a criticism that, if you read a little about the church and pay attention, is not even implied. Paul Thomas Anderson is a respected director, especially after the films “Magnolia” and “There Will Be Blood”. I'm not going to discuss that, not least because he's not a director I'm comfortable with (I think, counting this one, I've only seen two of his films). What matters is this film, and here, the director did a good job. It probably not the best of his career, there are very debatable options especially in terms of editing and rhythm, but it's enough. The cast's work is even better. Joaquin Phoenix gives us an impeccable, intense and very dramatic work, even if it is totally surpassed by the charisma of Philip Seymour Hoffman, a totally accurate choice for the character, who required not only charisma but also leadership, affirmation and authority. The actor, who left us suddenly and quite prematurely, was rightly nominated for an Oscar here. Laura Dern and Amy Adams ensure the main presences in the feminine, and they do it safely, even if in a more discreet way. On a technical level, the film has some very good points and others not so well developed: if on the one hand we have an excellent collection of sets and costumes, a good recreation of historical periods and places, an excellent cinematography and an enviable filming work, we also have a badly done edition, incapable of giving the film greater drama and some rhythm. I don't know if that was on purpose or not, what I do know is that the movie is disgustingly slow, dull and boring, with tons of lamely written dialogue and a lot of wasted time in between. I was left with the feeling that it would have been perfectly possible, in editing, to cut about half an hour of film without rigorously altering the meaning or running the risk of ruining the story. And talking about editing invariably leads us to talking about the script. I am not and have never been a member of the Church of Scientology, so I feel free to see a film that openly criticizes it, and also a film that criticizes it more covertly, as is the case. What the film makes clear is the weight of a great leader's charisma for the growth of a cult, but that was something that seemed clear enough to me. There are also some passages in which the film suggests that Scientology (like the “Cause”) is a great hoax, but this is also apparently consensual among the common public, and is based to some extent on testimonies from former members of the church. Regardless, it is not a film that is capable of attracting the masses to cinema, it is a topic for a niche of people already interested in it and not for the general public. And that doomed the film to a tremendous financial failure, considering the capital the production spent on it.
When a passionate classical dancer, Balakrishna, falls in love with Madhavi, a woman who admires his talent, fate separates them. Years later, as he drowns in sorrow and self-destruction, an unexpected encounter rekindles his lost hopes, emotions and talent.
A few political goons, disguised as Muslims, cause trouble at the temple and kill Raghuraman's family. Later, Raghuraman joins an extremist group and decides to avenge his family's death.
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
Velu Naicker, who witnesses the brutal murder of his father, kills a corrupt policeman and escapes to Mumbai, only to become a gangster.
The impact of lingering trauma on an ex-serviceman, triggered by sounds of everyday life.
An awkward, telekinetic teenage girl's lonely life is dominated by relentless bullying at school and an oppressive religious fanatic mother at home. When her tormentors pull a humiliating prank at the senior prom, she unleashes a horrifying chaos on everyone, leaving nothing but destruction in her wake.
Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.
A lonely woman's prank phone call leads to an unexpected friendship with a grieving widow.
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.