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Malta- The Jewel of the Mediterranean - (Jan 16th)
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Richard Osmans House of Games - (Jan 16th)
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Katy Tur Reports - (Jan 16th)
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A lovely shot tale that has resonance in the modern age. This user comment is my own personal feelings, it is not a review that I make in the hope of turning anyone's opinion to that of my own, no mater what anyone says or does, my feelings for the film will never change. I see a smartly crafted movie about fear and hope, a community living in fear of the outside world, I see involving characters to follow with interest, I see a gorgeous setting that intrigues and engages me. Manoj Night Shyamalan's fourth mainstream picture is now, as we can all agree, a victim of a terrible marketing campaign, wasn't it? For there are horror elements in the film, of which I don't wish to spoiler write about, the horror elements are there, they just aren't the boo jump scary monster variety that many had hoped for. The ending to the film disappoints many it would seem, but it doesn't to me because it is here that the film has most resonance and the point is well and truly made. It's acted out with style from the majority of the cast, and Shyamalan directs with a steady caring approach. It's not without flaws for sure, but this is a very tidy piece that's saying quite a bit if the viewer is so inclined to jump on board. All told, it's a very solid and thought provoking piece that's made with much film making care. 8/10
Great watch, will watch again, and can recommend. Being this is in the Shamallama-verse, it catches a lot of flak for having a "twist", and being a bit of a intellectual weight lift, but even knowing the "twist", I find it to be a very interesting watch. A blind protagonist is immediately interesting to me because it tends to lend itself to the non-traditional elements of a movie and is usually very refreshing for those of us that watch a lot of movies. Bryce Dallas Howard, especially, does much of the heavy lifting in this movie, but there really is a stacked cast that all give a good amount of quality support through their roles: it's not just about the blind girl travelling for days through the woods, it is about the community. Stories that focus on things larger than a single person as a "character" tend to lose people as they like to immerse themselves in a character and still feel they're bigger than the world in the setting. The initial concept of a "big bad wolf" in the woods is interesting, but they do go a different way with it: they're almost a society of creatures the way they're given to behave where werewolves might have actually been a more effective choice for a "monster". Likely this has been spoiled for you, but if not, then you should definitely give it a shot, and if so, then you should see how it is for yourself.
It's graduation weekend, and Sandy Channing, the popular class president of her small-town high school, should be enjoying the time of her life. But when her friends start disappearing, Sandy discovers they have unwittingly awakened the vengeful spirit of a girl they wronged long ago. Fighting for her sanity, Sandy must unlock a dark secret from her own past before it's too late.
On vacation, a man wakes up in an abandoned motel room in a tub of ice and his kidney missing. He finds his wife in the adjacent room waiting to be the next victim to a horrible organ harvesting organization. Originally taking the vacation to work on their failing marriage, they must now set their differences aside to escape before their captors return and their dark secrets are revealed.
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?
A teen girl disappears after trying to meet men online in order to escape her small town. Apparently, only her best friend worries enough to investigate the mystery.
Gönül meyhanesi tells the story of a young college student (Demir Karahan), living with his sick mother. One night he gets involved in a car accident and loses his sight. The driver (Belgin Doruk) feels guilty about this incident and suffers.
After his wife and her blind sister have died under his care, a doctor's small daughter is kidnapped and reported as buried alive, and he is given just five hours to find and rescue her.
Citizens of a small town are infected by a biological weapon that causes its victims to become violently insane. As uninfected citizens struggle to survive, the military readies its own response.
A young American woman returns to her Greek roots in search of her real father. Accompanied by her stepfather, she shatters the very myths designed to protect her. She uncovers an unlikely relationship between those who raised her, a globe-trotting photojournalist and Athanasia. Athanasia, a girl with no right in life. A choice of nature, but not of her community. Angela finds her father and discovers her mother.
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.
Following the death of his female cousin Marija, Moma sets out to her house where only her aunt lives. The old woman remembers Marija's awkward temper that left her unmarried and even led to a suicide of one of her courters. Based on a novel written by Momčilo Nastasijević.