The Philosophy of Horror (Part I): Etymology

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Experimental projects carried out during scientific initiation - 2002 / UFRJ

Experimental projects carried out during scientific initiation - 2002 / UFRJ

"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.

In Vietnamese artist Thi Nguyen’s tranquil essay film, a letter exchange unveils the changing uses of space in various provinces and the different ways its inhabitants remember history.

This metaphorical surrealist tale is an allusion. NIGHTINGALES IN DECEMBER is a trip into the memories, and the fields of the current realities. What if the Nightingales were working, instead of singing and going south? Is the innocence the only savior of birdsongs? There are no Nightingales in December... What is left, is only the history of our beginning, and our end.

On the cold outskirts of town, something is about to happen. In our own way we are all waiting for something to happen.

The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.

An experimental animation that recalls a treacherious, winter journey across a Montréal landmark.

A short film exploring the polyphony of collectivity in the desires, motivations and stories that foreground the histories and present(s) of Black British sound. Collective Hum documents a collective in practice through the operation of B.O.S.S using multiple narration, overlapping voices and the sound of group interviews, meetings and events to create a polyphonic score to soundtrack images of the ‘collective bodies, kinaesthetic experience and gestural language’ of sound system culture.