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I wonder why they added her name to the title? Might that be because the film makers knew that the "legacy" of this once celebrated singer has already largely wained? I can't think when I last heard one of her songs on the radio. Bigger then the "Beatles"? Well Naomi Ackie puts her heart and soul into this performance but do we ever see her tinkle on a piano, pick up a guitar, bang a tambourine even? Right from the start when she is discovered by established impresario (and one of this film's producers) Clive Davis (Stanley Tucci) we learn that she doesn't write songs. So what is there for us to remember? This film proceeds to tell us a rather sad and shallow story of a woman born into musical royalty who seems to lurch from one bad decision to another - fuelled by a confused sexuality, booze, drugs and ambition - a toxic mix for anyone to deal with. This highly speculative narrative doesn't try to give any depth to any of the characters. It doesn't try to involve us in the stresses faced by this woman who had the world beneath her feet for a while, but for whom it was all too much - especially when she discovers that those closest to her are betraying and/or embezzling from her. It asks us to be sympathetic but gives us few insights into what made her tick. The brief and superficial scenes with her wayward husband Bobby Brown (Ashton Sanders) are whirlwind in nature and so it's hardly surprising when he turns out to be wrong for her. The competent Tucci comes across as a benign, gentle, benefactor but again, there is little of substance to his role as he seems powerless to stop her descending into a maelstrom of despair and illness. The real story of this inspirational singer is full of twists, turns, successes and failures. Her emotional life was just about as turbulent as it is possible to get. Yet this film is sterile and procedural. I didn't feel involved, I didn't really feel that I cared for her very much. On the plus side, we are reminded on occasion of her brilliant original songs and astonishing vocal range (though Miss Ackie doesn't do the singing) and are reminded of just how good an entertainer she was, but I saw this on my own in a cinema and maybe that says quite a lot about the quality of this rather underwhelming and chronological biopic that could have been so much better had it focused more on the talents of this remarkable woman and less on the associated melodrama.
A well done flick, I'd say. I didn't even know this existed until I was invited a week or two back to go watch it, which is a surprise as I'd imagine a Whitney Houston biopic would've got enough hype that I would've seen it mentioned around the web - perhaps I just happened to miss it? Either way, I'd very much recommend 'Whitney Houston: I Wanna Dance with Somebody'. I'm no Houston brainiac but of course knew of her top songs and unfortunate personal issues, I feel like the film does a commendable job at covering all aspects - the pacing is top notch, in my opinion. I'd imagine it takes liberties with the truth, as per for this genre, here and there, but that doesn't bother me much if so. Naomi Ackie is terrific in the lead role, quite the first performance of her's to watch on my part. I hope to see more! The rest of the cast, from Stanley Tucci to Ashton Sanders to Tamara Tunie to Nafessa Williams to Clarke Peters, particularly the latter, are also very good throughout. I found the run time to be spot on, while the music is - as you'd expect - excellent. Houston sure did make a tonne of hits!
The Whitney Houston movie is a production that often goes underappreciated, with its box office performance potentially suffering due to being better suited for streaming rather than a traditional theatrical release. The film focuses more on Houston's personal life, particularly her relationship with Bobby Brown and struggles with drug use, rather than showcasing her musical talents. It lacks the emphasis on her music that fans may have expected, opting for a different narrative approach. While the movie may not have resonated with audiences as strongly as anticipated, it did serve as a reminder of Whitney Houston's exceptional talent as a singer. The lead actress's portrayal of Houston, while not widely recognized, did not detract from the film's overall impact. However, the casting choice for the role may have played a role in the film's perceived shortcomings and failure to generate significant buzz. Despite its flaws, the movie did manage to spark interest in Whitney Houston's music, prompting viewers to rediscover her timeless songs. While the film may not have reached the heights of success it aimed for, it still served as a tribute to Houston's legacy and musical contributions.
A struggling salesman takes custody of his son as he's poised to begin a life-changing professional career.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.
A documentary-narrative film which looks at real events and personal phenomena of artist Zarko Lausevic. "Laush" above all tells a story of an evil time we've all been through, represents both sides and is made with empathy and respect towards everyone involved in the tragic incident. Through recreations, narration, memories of colleagues and quotes from the book "A Year Passes, a Day Will Never Pass" which the artist wrote during the hardest stage of his life, the weight of his fate is presented. The aim of this project is to portray the life of brilliant actor, who in the midst of great fame, disappeared from the scene through the cruelty of dubious times.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
The life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.
Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.