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Later canonised (in 1988!), this tells the story of the renowned Russian iconographist and fresco painter. His actual life, as you might expect from the early 15th century, is not well documented so Andrei Tarkovsky has, forgive the pun, a pretty blank canvas on which to draw us a portrait of the trials and tribulations of this inspired, misunderstood, suspected and troubled soul. It has an octuple, episodic, narrative that marries his own development as a man and an artist with the quite literally revolutionary goings on as his country is, frequently quite brutally, coming into some some semblance of cohesive existence. It focuses on the role of the church in this most religious, and superstitious, of nations and offers us a much less aggressive correlation between the communist Soviet threads so often prevalent in sate backed movies made at the time and of those iconic figures so prominent in Russian history. The imagery is creatively bamboozling at times; the story doesn't follow any linear a-b-c narrative and we are presented with an oblique interpretation not just of his life, but of life in an embryonic nation that is emerging from an almost primitive existence - and that is fascinating (if not always easy to follow and/or comprehend). It is the vision of the man in the title, but also of the man behind the camera - a startlingly effective sequence of beautifully photographed concepts that offer layers of complexities depicting human nature in pretty much all of it's guises. Surprisingly, for a film in excess of three hours, it flows effortlessly with Anatoliy Solonitsyn conveying an overwhelming sense of humanity with his character. If you can ever see it on a cinema screen, then it is definite a must - especially the last ten minutes or so which demonstrate (in glorious colour) some of his magnificent artistry.
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
The story of Bobby Sands, the IRA member who led the 1981 hunger strike during The Troubles in which Irish Republican prisoners tried to win political status.
Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the poverty endemic in the slums of pre-war Limerick. The film opens with the family in Brooklyn, but following the death of one of Frankie's siblings, they return home, only to find the situation there even worse. Prejudice against Frankie's Northern Irish father makes his search for employment in the Republic difficult despite his having fought for the IRA, and when he does find money, he spends the money on drink.
The story of Rubin "Hurricane" Carter, a boxer wrongly imprisoned for murder, and the people who aided in his fight to prove his innocence.
Antwerp in the fifties. Robin de Hert grew up in a Catholic parochial environment; on the one hand there is his authoritarian father and the sadistic secretary of the Catholic boys technical school, on the other hand there are the 'Grieten' and the French teacher with whom Robin is getting a good band through a secret they share. If the secretary finds out about this secret, this has major implications for both the teacher and the students ...
Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.
After the death of his grandfather, Koen Shirakawa (Atsushi Ito) quits his job at a bookstore and goes to a temple to become a monk.
The story of the Crucifixion, set within the context of the Korean War.
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
