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I think this movie was marketed as an adventure movie when it came out. I can imagine that some people were disappointed if they were indeed expecting a real adventure movie. I remember being one of those people when I first saw this movie. However, if you approach it seeing what it is, that is a comedy or at least an action-comedy, then it is actually a quite enjoyable movie. The entire movie is utterly ridiculous. The screaming, posturing Asian martial art champion parodies especially so. Everything in this movie makes you laugh as long as you do not try to take the movie seriously. The action scenes are often absolutely hilarious. They are also quite well done and choreographed actually. The special effects are of course utterly outdated but they are good enough for this movie. There is a story as well but it doesn’t really matter much. It is just there to tie the funny scenes together, especially the action scenes. Acting? Well, let’s just say that it matches the comic nature of the movie. I actually just picked this movie as a trial experience in using Netflix (which finally came to France last Monday) on my PS3 for the first time and I did not want to start something were I would be pissed off if it turned out that it stopped working halfway through. I have to say that I had much more fun watching this movie this time than the first time I was watching it…and Netflix worked perfectly on my PS3.
_Big Trouble in Little China_ is not the movie it is marketed to be. But it is good. You wait the ten minutes it takes for the absurdity to kick in and then you ride the ridiculous ride until the closing credits. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Ol' Jack always says... what the hell? Out of 20th Century Fox, Big Trouble in Little China is directed by John Carpenter and stars Kurt Russell, Kim Catrall, Dennis Dun, James Hong & Victor Wong. The adaptation is by W.D. Richter with the screenplay from Gary Goldman & David Z. Weinstein. Dean Cundey photographs and Alan Howarth doubles up with Carpenter for the musical score. Truck driver Jack Burton (Russell) agrees to take his friend Wang Chi (Dun) to pick up his fiancée at the airport. Little does he know that he is about to get involved in a supernatural battle between good and evil beneath San Francisco's Chinatown district. A box office failure upon its release, and known to be the moment when John Carpenter gave up on Hollywood, Big Trouble in Little China has gathered "cult" momentum over the years and shows up rather well these days. Blending Chinese mysticism with chop-schlocky adventure, Carpenter's movie is at once daft but also a ball of energetic fun - propelled by a handsome, but inept action hero. Carpenter had always wanted to tackle a martial arts movie, and here he gets to do it whilst laying on the comedy and playing with effects work as his movie mostly comes alive in a magical underworld of monsters, magicians and sexy green eyed women. It's evident now that the film was ahead of its time, not from a technical viewpoint, but from the point it tried to Americanise chopsocky. This is some time before Chinese style wire-work and mythology became common to Hollywood, one has to believe that Tarantino was nodding approvingly around about this time. It's also worth noting that although this "American" movie has an American beefcake as its main protagonist, it's the Asian Americans who actually are the heroes of the piece, with Dun's sidekick the stand out hero as Russell's Burton bumbles his way from one sequence to the next. It was a bold move by Carpenter to structure the narrative this way, something that annoyed the executives at Fox and kept the paying public bemused. It's easy to see why the film failed, contrast it with the similarly themed Eddie Murphy movie, The Golden Child, from the same year, which was a box office success. There the public got what they wanted (or what they were used too), the standard American hero fluff where Murphy saves the day and gets the girl. Carpenter dared to be different and clearly had a lot of fun along the way, as evidently did his cast. It may have taken a decade of VHS and DVD releases to prove he was right, but right he was, Big Trouble in Little China is a damn fine popcorn movie. Russell plays it meat head style, with swagger in tow and tongue stuck in cheek, nicely toned physique for the girls to enjoy, and making vest wearing cool two years before Willis did in Die Hard. Cattrall is wonderfully alluring, red lips and green eyes shimmering bright in a world of colour; and boys do look out for her wet scene, it's wolf whistle time! Dun is likable and athletic, while Hong as Lo Pan gives the action/adventure genre a truly memorable villain. The film is briskly paced and not found wanting in the set piece department either. Not all the effects are high grade stuff, but in a film with such zestful comic book traditions at heart, it hardly matters one jot. With a great home format package doing it justice, Carpenter's movie is now, at long last, getting the appreciative audience it fully deserves. Amen to that. 8/10
Enjoyable enough adventure flick with another charismatic performance from Kurt Russell. The plot certainly felt disjointed at times (and one sequence didn't really advance the plot all that much) but still had a lot of fun. Not one of Carpenter's best nor a standout amongst 1980s movies, however still liked it well enough. **3.5/5**
'Big Trouble in Little China' didn't entertain me. There isn't anything about it that I really like, to be honest. It isn't a truly terrible movie by any means, but the story didn't take hold of me and the characters and their actors weren't all that watchable. I wasn't sold on the plot's set-up and then when it goes crackers it was too goofy for me to enjoy too. It's one of the weakest Kurt Russell performances that I've seen, and I'm someone who rates that guy fairly highly as an actor. Elsewhere, Kim Cattrall is kinda forgettable, while James Hong (unique voice aside) doesn't get given enough to stand out. The make-up/special effects, particularly for the latter, didn't do it for me either, likewise with the humour. A quick glance at Wikipedia suggests this had competition with 'The Golden Child'. Well, if we're comparing, then that one did it better, albeit only by a relatively small distance because I don't recall much about that Eddie Murphy movie; it has been over four years since I watched it for the one and only time, admittedly.
This is a fun, almost campy movie; don't try to think about it too hard. Rather, enjoy it for what it is. It has an almost folklore-ish feel to it, as if what's being presented is more of a tongue-in-cheek tale (which it is fully aware of) and as such some aspects _maaay_ have been exaggerated. And if you watch it in this vein, I think you will enjoy it quite a bit. But the second you start to take it seriously, it will crumble to pieces. It's entertaining to watch. The characters are very large (and sometimes goofy/campy) and the plot heads in the correct direction most of the time. This movie flew under the radar during its original release (not helped at all by being released 16 days before Aliens...) but had found extremely solid footing in home rentals/home video. I remember my first viewing of this movie -- I knew nothing about it going in, I just sat there and watched it...and I loved it. It was funny, it was exciting, and in some few scenes even thrilling. It's not perfect, it has its flaws and blemishes certainly, but boy is it fun! :)
Due to their possession of an ancient mystic book, four friends are attacked by a demon while on a picnic and find themselves pitched into a world of evil that overlaps their own. The film was originally made in 1967 by Dennis Muren as The Equinox: Journey into the Supernatural. Jack Woods was hired to shoot additional footage and expand on Muren's work.
An unlucky woman’s mother is murdered by a scarf-wielding killer named Silk, leaving the woman injured, traumatised and suffering from amnesia. She’s committed to a mental institution, where Silk follows her, looking for the papers he was trying to get from her mother. And Silk’s only the beginning of her problems, since the asylum is run by a mad doctor, performing experiments in chemical lobotomies!
According to legend, a group of women escaped from Atlantis just before the destruction of the continent. They took refuge on a mysterious island, and founded a kingdom. Men who dared approach the island, were devoured by these sexually voracious Atlanteans, and thus they were called "gobblers".
When notorious pirate Henry Morgan is made governor of Jamaica, he enlists the help of some of his former partners in ridding the Caribbean of buccaneers. When one of them apparently abducts the previous governor's pretty daughter and joins up with the rebels, things are set for a fight.
A financially-strapped charter pilot hires himself to an oil tycoon to kidnap his madcap daughter and prevent her from marrying a vapid band leader.
A documentary crew follows cult classic horror director, Alfred Costella, as he makes his final film: an all practical masterpiece... with a dark twist.
Inspired by a television show featuring a kickboxing heroine, a woman named Kathy (Julie Suscinski) enrolls at a martial arts school in this low-budget action-comedy. When Kathy learns that the school is a front for drugs, prostitution, and blackmail, she uses her new skills to take the bad guys down.
Attendees at a horror-film convention in San Francisco keep disappearing. It turns out that the guest of honor is a real vampire, and his henchmen are kidnapping the convention guests. A horror writer, a Sherlock Holmes fan and an Israeli Nazi-hunter set out to stop him.
The Aztecs summoned a Tyrannosaurus Rex to keep Cortes and his army out of Mexico. Now they need the Conquistadors' help to stop the T-Rex from killing them all.
In this action adventure, a former hit woman comes out of retirement to rescue her daughter from kidnappers. The child's abductors demand that the ex-killer retrieve a highly classified document. They give the woman 24 hours to succeed. If she fails, her daughter will die.
An unsuspecting university professor is an unwitting accomplice in a foiled Chinese cocaine deal. Wrongly imprisoned, he escapes to take his revenge and prove his innocence.