Kinds of Kindness 2024 - Movies (Oct 4th)
Subservience 2024 - Movies (Oct 4th)
The Conqueror Hollywood Fallout 2023 - Movies (Oct 4th)
Joker Folie à Deux 2024 - Movies (Oct 4th)
Spin the Bottle 2024 - Movies (Oct 4th)
Things Will Be Different 2024 - Movies (Oct 4th)
The Radleys 2024 - Movies (Oct 4th)
Gods Not Dead In God We Trust 2024 - Movies (Oct 4th)
Little Bites 2024 - Movies (Oct 4th)
The Killers Game 2024 - Movies (Oct 4th)
One Person One Vote 2024 - Movies (Oct 3rd)
Aurora Teagarden Mysteries A Lesson in Murder 2024 - Movies (Oct 3rd)
Before Dawn 2024 - Movies (Oct 3rd)
Hells Half Acre 2023 - Movies (Oct 3rd)
House of Spoils 2024 - Movies (Oct 3rd)
Salems Lot 2024 - Movies (Oct 3rd)
Hold Your Breath 2024 - Movies (Oct 3rd)
Love on the Danube Kissing Stars 2024 - Movies (Oct 3rd)
G.O.A.T ~Greatest Of All Time~ 2024 - Movies (Oct 2nd)
White Bird 2023 - Movies (Oct 2nd)
MaXXXine 2024 - Movies (Oct 2nd)
The Last American Vagabond - (Oct 4th)
Cheap Irish Homes - (Oct 4th)
Deadline- White House - (Oct 5th)
The Beat with Ari Melber - (Oct 5th)
Richard Osmans House of Games - (Oct 4th)
The Talk - (Oct 4th)
The Bold and the Beautiful - (Oct 4th)
The Young and the Restless - (Oct 4th)
Lets Make a Deal - (Oct 4th)
Rust Valley Restorers - (Oct 4th)
Help We Bought A Village - (Oct 4th)
The Chase - (Oct 4th)
So Long, Marianne - (Oct 4th)
Katy Tur Reports - (Oct 4th)
Andrea Mitchell Reports - (Oct 4th)
Chris Jansing Reports - (Oct 4th)
The One Show - (Oct 4th)
Have I Got News for You - (Oct 4th)
Gutfeld - (Oct 4th)
Hannity - (Oct 4th)
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.
Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.
This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”
A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Filmmaker John Torres describes his childhood and discusses his father's infidelities.
This video will teach you how to write your own autobiography, with examples from the narrator’s life.
A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.