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Progress Posturing. The Good Guys and the Bad Guys is directed by Burt Kennedy and written by Dennis Shryack. It stars Robert Mitchum, George Kennedy, Martin Balsam, David Carradine, Tina Louise, Lois Nettleton and Douglas Fowley. A Panavision/Technicolor production, music is by William Lava and cinematography by Harry Stradling Jr. The town of Progress and Marshal Jim Flagg (Mitchum) learns that old foe John McKay (Kennedy) is about and robbery is soon to follow. However, Jim has difficulty convincing Mayor Wilker (Balsam) that any thing is up, the Mayor apparently more concerned with bed hopping and feathering his own political nest. So when Wilker prematurely retires Jim, sticking one of his lap-dogs into the role of Marshal, Jim sets about doing his own investigation. Pretty soon both Jim and John, one time enemies on either side of the law, find that both of them are out of time with an ever changing West. Amiable. Burt Kennedy’s film doesn’t have the best of reputations, seemingly the blend of comedy and drama not teasing out much interest from the Western enthusiasts. It’s true enough to say that the main theme, that of the changing West and two men finding themselves relics of the time, is ultimately playing second fiddle to the frivolity, while the finale tips over into over zealous slapstick farcery, yet Kennedy and Shryack imbue the picture with a genuine love of the genre. The director lets the pairing of Mitchum and Kennedy unfurl naturally, whilst also giving Balsam licence to have a great time, thus all key performers are ever watchable. Scenic delights await within as Chama and Silverton provide location oomph, and the action quotient is in good supply. Disposable for sure, but fun while it’s on. 6.5/10
The notorious outlaw Black Bart has reappeared and the Range Busters are sent to investigate. When they find that Black Bart is now a respectable citizen and that someone is impersonating him, they set a trap for the robber.
Singing cowboy Whip Wilson, the foreman on a cattle drive, quits his job to pursue five bank robbers who murdered his brother.
Residents of a small frontier town take up arms when vigilantes try to block a railroad right-of-way.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Outlaws plan a robbery to take place during a championship prizefight in Carson City, Nevada.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
A group of outlaws plan and execute a robbery in a small town. However, things go awry as the team attempt a getaway, when a couple of the locals attempting to follow them, are ambushed by marauding natives.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing.
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
After her stagecoach is ambushed, a woman is tasked with holding a dangerous outlaw captive and must survive the day when the bandit’s gang tries to free him.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
