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On Patrol- Live - (Jan 11th)
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Progress Posturing. The Good Guys and the Bad Guys is directed by Burt Kennedy and written by Dennis Shryack. It stars Robert Mitchum, George Kennedy, Martin Balsam, David Carradine, Tina Louise, Lois Nettleton and Douglas Fowley. A Panavision/Technicolor production, music is by William Lava and cinematography by Harry Stradling Jr. The town of Progress and Marshal Jim Flagg (Mitchum) learns that old foe John McKay (Kennedy) is about and robbery is soon to follow. However, Jim has difficulty convincing Mayor Wilker (Balsam) that any thing is up, the Mayor apparently more concerned with bed hopping and feathering his own political nest. So when Wilker prematurely retires Jim, sticking one of his lap-dogs into the role of Marshal, Jim sets about doing his own investigation. Pretty soon both Jim and John, one time enemies on either side of the law, find that both of them are out of time with an ever changing West. Amiable. Burt Kennedy’s film doesn’t have the best of reputations, seemingly the blend of comedy and drama not teasing out much interest from the Western enthusiasts. It’s true enough to say that the main theme, that of the changing West and two men finding themselves relics of the time, is ultimately playing second fiddle to the frivolity, while the finale tips over into over zealous slapstick farcery, yet Kennedy and Shryack imbue the picture with a genuine love of the genre. The director lets the pairing of Mitchum and Kennedy unfurl naturally, whilst also giving Balsam licence to have a great time, thus all key performers are ever watchable. Scenic delights await within as Chama and Silverton provide location oomph, and the action quotient is in good supply. Disposable for sure, but fun while it’s on. 6.5/10
A former sheriff relentlessly pursuing the 7 men who murdered his wife in Arizona crosses paths with a couple heading to California.
Four undesirables run out of a mining town and become marooned in a deserted mountain cabin during a raging snowstorm.
In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, making audacious robberies of the rich people, and even distributing the takings with the poor. Thus, cartouche attracts the people's sympathies, Venus's love, and hate from the Police and Malichot... Cartouche can escape all the traps they set at him - except the entrapments of love. Eventually, he will be saved by a woman, at her own cost.
Montana Rivers finally escapes her father who had forced her to wear men's clothing and help in robbing and cheating. She is taken in by friendly Indians and stays at their camp. Later, Akkomi, chief of the tribe, asks his friend Dan Overton to take the girl as it is not good for her to remain in the camp. Dan provides for "Tana" and falls in love with her but, because of her past, she keeps him at a distance. Jim Harris comes by and recognizes Tana as the boy robber, but when he attempts to blacken her past, Dan gives him a beating which paralyzes him. Jim then stays on with Dan, who regrets his hastiness. Eventually Tana's father appears and demands that Tana go away with him. She refuses but also does not tell Dan of this trouble.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing.
Singing cowboy Whip Wilson, the foreman on a cattle drive, quits his job to pursue five bank robbers who murdered his brother.
Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
While searching for his friend's killer, a former outlaw (Tim McCoy) thwarts a robbery and becomes a lawman.