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Progress Posturing. The Good Guys and the Bad Guys is directed by Burt Kennedy and written by Dennis Shryack. It stars Robert Mitchum, George Kennedy, Martin Balsam, David Carradine, Tina Louise, Lois Nettleton and Douglas Fowley. A Panavision/Technicolor production, music is by William Lava and cinematography by Harry Stradling Jr. The town of Progress and Marshal Jim Flagg (Mitchum) learns that old foe John McKay (Kennedy) is about and robbery is soon to follow. However, Jim has difficulty convincing Mayor Wilker (Balsam) that any thing is up, the Mayor apparently more concerned with bed hopping and feathering his own political nest. So when Wilker prematurely retires Jim, sticking one of his lap-dogs into the role of Marshal, Jim sets about doing his own investigation. Pretty soon both Jim and John, one time enemies on either side of the law, find that both of them are out of time with an ever changing West. Amiable. Burt Kennedy’s film doesn’t have the best of reputations, seemingly the blend of comedy and drama not teasing out much interest from the Western enthusiasts. It’s true enough to say that the main theme, that of the changing West and two men finding themselves relics of the time, is ultimately playing second fiddle to the frivolity, while the finale tips over into over zealous slapstick farcery, yet Kennedy and Shryack imbue the picture with a genuine love of the genre. The director lets the pairing of Mitchum and Kennedy unfurl naturally, whilst also giving Balsam licence to have a great time, thus all key performers are ever watchable. Scenic delights await within as Chama and Silverton provide location oomph, and the action quotient is in good supply. Disposable for sure, but fun while it’s on. 6.5/10
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
Before the U.S. Civil War rebel leader Luke Darcy sees himself as leader of a new independent Republic of Kansas but the military governor sends an ex-raider to capture Darcy.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.
Monogram's Outlaws of Texas is surprisingly bereft of the action highlights one might expect from star Whip Wilson. This time, the Whip and his saddle pal Andy Clyde play heroes Tom and Hungry who work undercover to break up a gang of bank robbers.
Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.