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Fight Night- The Million Dollar Heist - (Sep 8th)
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A documentary that explores the history & stories behind the art that helped create the world's most popular role playing game. The movie profiles artists - both past & present - & features former company insiders, game designers, authors, & fans.
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.
Depero: Rovereto, New York and Other Stories is the first documentary film focused on the artist from Trentino, Fortunato Depero. The film investigates the figure of a man who was able to go beyond the codified circuits of the art world: his work ranges from painting to theater, from set design to photography, the applied arts to opera on radio, publishing and advertising design. Fortunato Depero was rediscovered in the late seventies and re-evaluated in the nineties thanks to the attention dedicated to him by some scholars and the keen interest of his works by French and American audiences who saw in him the most significant artist of the Futurist movement.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair. Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.
Fred Deux and Cécile Reims are major twentieth century artists. Over a period of several months, Matthieu Chatellier filmed them in the privacy of their peinting and engraving work. The film focuses on a precise time in their lives: the time of ageing, dispossession and questions about the hereafter.