Derren Brown: The Great Art Robbery

A travelogue celebrating the 1939 Golden Gate Exposition and highlighting its exhibition of classical paintings and stunning lighting effects.

An intimate portrait of David Hockney, featuring interviews with the artist - one of Britain's most beloved painters - in London and Normandy, and exclusive new footage of a master at work.

The celebrated British artist discusses his life and work with Melvyn Bragg in his Normandy studio, revealing his influences, inspirations and plans to keep on painting.

Using over 50 years of archive footage, this film looks back at the life and career of David Hockney.

Filmed in his London studio, David Hockney sits down with Melvyn Bragg to discuss his remarkable life and career, illustrated by a wide range of his vibrant and joyous artworks.

The documentary Intersection presents the everyday life of Eduard Bigas, in his current residence in Berlin. The audiovisual piece goes into Bigas' way of looking, while he himself tells his story. And through the interviews with his closest circle, both the social and the professional one, it seeks to expose the way of doing things of this artist with surrealist roots.

In Pablo Picasso's career, a blue and pink period gets the attention they deserve. It is between 1901 and 1907 that the seeds of all his future work lie, for it is then that Picasso turned his back on his father's teachings and broke free from academic constraints and himself at the beginning with everything that crossed his path. This documentary takes a look at Picasso's various metamorphoses, shaped by a struggle between zest for life and dark thoughts. A world shared by his friend Jaime Sabartés, who wrote it in a collection of memoirs. Art documentary (2018) by Gaëlle Royer.

In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)