Four Friends

Eden is a coming-of-age film about a Protestant Confirmation camp on a summer’s week, set in the archipelago of Helsinki. Aliisa is the intellectually confident non-believer, Jenna is the queen bee and Panu is the scared bird. The experience of these teenagers is affected by Tiina, a young and eager priest.

The streets of the Bronx are owned by '60s youth gangs where the joy and pain of adolescence is lived. Philip Kaufman tells his take on the novel by Richard Price about the history of the Italian-American gang ‘The Wanderers.’

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.

In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.

Warsaw, Poland, during the Cuban Missile Crisis, 1962. Josh Mansky, a troubled math genius and former US chess champion, is recruited to hold a dangerous public match against the Soviet champion, while playing the deadly game of espionage hidden in the darkest shadows of a hostile territory.

Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.

A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.

In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.

Cezars Kalnins installs telephones by day and composes pop songs by night. His band has a hard time receiving the permit from Soviet censorship authorities for a public debut. A member of the Culture Committee superficially listens to Cēzars' songs and deems the lyrics "unsuitable and frivolous” and "unfit for the Soviet youth”, and is later powerless to stop the grindstone of public debate, which she has herself initiated.