Love & Fascism In The 21st Century

Two men share an odd friendship while they care for two women who are both in deep comas.

A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Traveling businessman David Mann angers the driver of a rusty tanker while crossing the California desert. A simple trip turns deadly, as Mann struggles to stay on the road while the tanker plays cat and mouse with his life.

David and Kimberly haven't been the same since the death of their parents. David is constantly tormented by the horrifying image of a 6'5', 400-pound clown named Gitchy. David is convinced that Gitchy, the monster from his darkest dreams, is responsible for killing his parents. He believes that his mother and father both met their doom after being attacked and tickled to death by Gitchy the Clown! Kimberly does her best to care for her brother, but she has fallen into her own depression after watching his mental condition deteriorate. David's therapist has him on medication and visits him weekly, but nothing seems to block his images or silence the insane laughter of the demonic clown that torments him. Soon everyone connected to David will learn just how real Gitchy is...and the situation will be no laughing matter...or will it?

Hilarious but harrowing, the film charts the disintegration of the friendship between Renton, Spud, Sick Boy, Tommy and Begbie as they proceed seemingly towards a psychotic, drug-fuelled self-destruction.

This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled "Golfo the Shepherdess," the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra plots revenge on her mother for the death of her father, and seeks help from her brother, Orestes, a young anti-fascist rebel.

Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.

Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

After teenage Ben comes to the realization that his stage 4 testicular cancer is terminal, he decides to throw a "practice funeral" as one final hurrah before the end of his young life.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.