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I loved the first television series of this gritty and challenging police drama. Sadly, now we have reached a nadir for this charismatic and unorthodox character. The story is so ridiculously far-fetched that it reminded me of something Mark Gatiss might have written for "Sherlock" before he watched "No Time To Die" (2021) and thought - nah! It all starts when youngster "Callum" is dragged away from his night-time cleaning job by a mysterious phone call. Next thing we know, "Luther" (Idris Elba) is at a crime scene with no sign of the boy but with a victim in her car that has been missing for ages. Enter the completely un-menacing "Robey" (Andy Serkis) and pretty soon our favourite policeman is incarcerated for a career of systematic rule-bending/breaking and this rather evil monster now proceeds to prove that evil can prevail - and on a fairly spectacular scale. This story is, frankly, preposterous and as the film lumbers along for over two ours I really struggled to remain engaged as it moved from suicide scenarios to far more brutal killings - but what, exactly, is motivating this man is anyone's guess. He appears to have acquired control over a vast network of technology and people to effect his dastardly plan but none of that even vaguely rings plausible. The last twenty minutes are just plain silly and overall, the writing is all rather poor: "They'll kill you John" - "I can live with that!" - not an hint of irony there, neither. This is a pretty shameless attempt to capitalise on a strong character made memorable by a charismatic actor and a series of solid stories. This film has thrown all of those under the snowplough.
Luther is, for my money, one of the best things to come out of the UK, in a long time. I was therefore more than a little cynical, when I spied a film adaptation of the obsessively watchable, series. To be frank, the back story is absurdly far fetched but somehow it "works". In essence, I'd describe it as a pastiche, of borrowed elements, from the series, that have been thrown together, in an inexplicable, crime mash up. Its cause is helped in no small part, by Idris Elba, whose talent outshines and out paces, this flawed tale. Elba breathes life into a story, that might not have fared so well, with a lesser actor, in the lead. In summary, the creative part of my brain enjoyed this, whilst the rational part sat back and shook its head. Yes, its utter nonsense but its really "good" nonsense, nonetheless. Give it a go....
Love the series, now I love the film. Took me way too long to get this watched, been on my immediate watchlist ever since its release well over a year ago; in fairness, I was avoiding Netflix due to their prices, but got a good deal with 'em atm. This is classed as a crime thriller and it certainly thrilled me, I had a great time with it. Really enjoyed seeing the story come together. Sometimes these sorta movies show 'the event' super early on and just drag out the cat and mouse 'when will they catch them' act for pretty much the whole run time. Now, don't get me wrong, of course it is a cat and mouse thing of sorts still, but I rate how there are events constantly throughout which keeps elevating the threat; the plot always felt fresh to me whilst viewing, which is a major plus. Given I'm a big fan of the television show that this follows, it is no surprise to say that Idris Elba is one of my favourite actors - the guy is phenomenal, I won't hear otherwise. He is fantastic all the way through 'Luther: The Fallen Sun'. Away from the lead, Andy Serkis is menacingly excellent, they sure made his character the worst of the worst! Cynthia Erivo and Dermot Crowley lead the rest very well. Give me that sequel!
An investigative Journalist thinks she's found a killer, and breaks into his place to find the evidence. Only when he come's back it becomes a game of cat and mouse with deadly consequences.
A rich but miserly old man taunts his relatives about who will get his money when he dies, and is soon mysteriously murdered. It turns out that he has left his estate to a beautiful young actress whom the other relatives didn't know was related to him. Several attempts on her life are thwarted by a detective, who sets out to discover who's behind the scheme to kill her.
A lawyer tasked with defending a robbery-and-murder suspect begins developing doubts about what truly happened.
Following the suicide of her only friend, outcast teen Rachel Lang's life begins a downward spiral that will not only affect her but take everyone around her down in horrifying fashion.
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.
Johnny Truelove likes to see himself as tough. He's the son of an underworld figure and a drug dealer. Johnny also likes to get tough when things don't go his way. When Jake Mazursky fails to pay up for Johnny, things get worse for the Mazursky family, as Johnny and his 'gang' kidnap Jake's 15 year old brother and holds him hostage. Problem now is what to do with 'stolen boy?'
During an historic counter-terrorism summit in Spain, the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill, but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness, the reality of the assassination takes shape.
Johnny Tyronne, action movie star and ladies man, is traveling through the Middle East on a goodwill tour to promote his latest movie, "Sands of the Desert". Once he arrives, however, he is kidnapped by a gang of assassins who were so impressed with his on-screen adventures that they want to hire him to carry out an assassination for them.
Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.
After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.
Thad Beaumont is the author of a highly successful series of violent pulp thrillers written under the pseudonym of ‘George Stark’, but when he decides to ‘kill-off’ his alter-ego in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are soon discovered to be the work of Stark himself. Looking like a maniacal version of his counterpart, Stark is not so willing to quit the writing game – even if it means coming after Thad's wife and their baby.