投奔怒海

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

An evocative, impressionistic drama of love and loss.

The rules were: one day, one wheel, one shot (no editing). Valérie Massadian’s hypnotic short was made for Seattle’s Northwest Film Forum.

A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.

Based on true events about the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories - activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away - though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

Joe Lieberman is attracted to Shaleen. They begin a professional relationship, which continues even after Joe develops a romantic interest in a woman named Kate, who is married.

Eleven people, isolated from the outside world, communicate via screens. A son wants to hold the hand of his suffering mother. Love grows. A mother has abandoned her family. A therapist finds himself at the edge of ruin. A daughter connects with her parents.

Dreaming of the West, Boryana is determined not to have a child in communist Bulgaria. Nonetheless, her daughter Viktoria enters the world in 1979, curiously missing a belly button, and is declared the country’s Baby of the Decade. Pampered by her mother state until the age of nine, Viktoria’s decade of notoriety comes crashing down with the rest of European communism. But can political collapse and the hardship of new times finally bring Viktoria and her reluctant mother closer together

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.