Funebrák

When two teenage girls plot to steal liquor for themselves, their plan goes awry when they decide to visit their old piano teacher who's developed dementia.

The abusive professional relationship between Luis, an intransigent painter, and Ágata, his traumatized model, takes an unexpected turn when she finds a mysterious self-portrait of him…

A woman looks out of a window.

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Myia and Aristote live from gluglu hunting. These cloud-animals allow them to grow courgettes in the desert. One day, Myia falls in love with one of them …

LETTERS, a dramatic historical fiction written by Mrs. Evelyn Merritt in 2010, tells the story of U.S. soldiers and their loved ones through their correspondence beginning with the Civil War and ending with the War in Iraq. Sahuarita High School students adapted the Readers’ Theatre play into a movie, reasoning the student actors would be kept safe from Covid-19 by filming them individually, and afterward the footage could be reassembled into a screenplay following the original dialogue.

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.